HomeThe progress of perfected industry

HomeThe progress of perfected industry

The progress of perfected industry

Les progrès de l’industrie perfectionnée

Workshops and manufactures in the years between the French Revolution and the Napoleonic Empire (France 1789 – 1815)

Ateliers et manufactures de la Révolution française au Premier Empire (France, 1789-1815)

*  *  *

Published on Tuesday, July 16, 2013

Abstract

Up until now the revolutionary period has mainly been considered as a period of disruption, especially in the field of luxury industries, which were considered to be at odds with the values of the new emerging social system. It is now possible to show that contrary to this general assumption, continuity can be found in this pivotal period between the eighteenth and nineteenth centuries. The quick re-awakening of the production of luxury goods followed the establishment of the Directoire and its flowering during the Napoleonic years is proof of great flexibility and adjustment to social change and the new paradigms of labor. A number of questions emerge from these observations: what events and changes confronted former royal and later national manufacturers, famous workshops and regional producers in the years between the Ancien Régime and the Bourbon Restoration? In what ways were artists and artisans able to adapt or resign themselves to the new challenges?  But also – to what extent did these events stimulate new modes of creativity and production which would have an impact on the development of industrialization in France?

Announcement

Argument

The twenty-five years between the assembly of the États généraux and the end of the Napoleonic Empire saw political, social, cultural and economic changes that created a context of instability for the luxury industries and fine arts in France.

Workshops and manufacturers were confronted with material and logistical challenges. The shortage of materials, the collapse of the financial system and the loss of a significant number of skilled workmen to the army, had a direct impact on French productivity. In spite of these difficult conditions, the insecurity and instability of social upheaval and war in this period, creativity and the invention of new trends and fashions were by no means halted in Paris. New markets quickly offered plenty of opportunities for inventive craftsmen to extend and diversify their activities.

Up until now the revolutionary period has mainly been considered as a period of disruption, especially in the field of luxury industries, which were considered to be at odds with the values of the new emerging social system. It is now possible to show that contrary to this general assumption, continuity can be found in this pivotal period between the eighteenth and nineteenth centuries. The quick re-awakening of the production of luxury goods followed the establishment of the Directoire and its flowering during the Napoleonic years is proof of great flexibility and adjustment to social change and the new paradigms of labor. A number of questions emerge from these observations: what events and changes confronted former royal and later national manufacturers, famous workshops and regional producers in the years between the Ancien Régime and the Bourbon Restoration? In what ways were artists and artisans able to adapt or resign themselves to the new challenges?  But also – to what extent did these events stimulate new modes of creativity and production which would have an impact on the development of industrialization in France?

This symposium aims to shed light on a pivotal period in the history of material culture and the decorative arts in France. One of its goals is to provide a better understanding of and insight into what exactly happened during these years and into the impact of the transformation of every aspect of civil and industrial life on Parisian and regional production in this period, which is generally recognized as one of cataclysmic change.

Organized as an interdisciplinary event, this symposium will study the period from the point of view of art, social, economic and technological histories. Its main objectives are to define and shed light on the specific characteristics of the period and its production, in order to generate new insights and conclusions which complement the field’s well-established stylistic analyses, while also providing new tools for the broader analysis of objects.

Contributions of 20 minutes should approach the following pivotal points:

The organization of production: Actors and places of production – The management of workshops before and after the abolition of the guilds in 1791 – The institutional and legal context for production – Creators and makers in different trades linked to the luxury industries- Supply and  suppliers of materials – Competition between national and private industries.

Forms and Materials: Tools, techniques and materials – Fashion and trends – The relation of stylistic evolution and industrialization- Professional schools and academic institutions for the industries- Iconographies and style for manufactured goods – Know-how and the evolution of style

Distribution: Industrial exhibitions from 1798 onwards – Methods of distribution – Producers of manufactured goods – Commercial networks – Press and publicity - Franchising and dealers – Places of sale – Diplomatic gifts – Commercial challenge and competition

Submission guidelines

Papers may be given in French or English language

Proposals for papers of one A-4 side length and a short biography in French or English should be sent to the following address: AteliersManufactures1789-1815@dt-forum.org

before Monday September 30th 2013.

This International symposium will take place in Paris,  Institut national d’histoire de l’art and Centre allemand, on Friday and Saturday, June 13 & 14, 2014.

Organisational Board

  • Natacha Coquery (université Lumière Lyon 2, LAHRA)
  • Jörg Ebeling (Centre allemand d’histoire de l’art, Paris)
  • Anne Perrin-Khelissa (université de Toulouse 2 Le Mirail)
  • Philippe Sénéchal (Institut national d’histoire de l’art)

Scientific Board

  • Marc Bayard (Mobilier national, Paris) ;
  • Jean-Francois Belhoste (École Pratique des Hautes Études, Paris) ;
  • Andreas Beyer (Centre allemand d’histoire de l’art, Paris) ;
  • Philippe Bordes (université Lumière Lyon 2) ;
  • Anne Dion (musée du Louvre) ;
  • Daniela Gallo (université Pierre Mendès France - Grenoble 2) ;
  • Liliane Hilaire-Pérez (université Paris 7) ;
  • Ulrich Leben (Bard Graduate Center, New York) ;
  • Lesley Miller (Victoria & Albert Museum, Londres) ;
  • Jean-Michel Minovez (université de Toulouse 2) ;
  • France Nerlich (université de Tours) ;
  • Odile Nouvel (Paris) ;
  • Jean-Michel Olivier (université de Toulouse 2) ;
  • Hans Ottomeyer (Berlin) ;
  • Daniel Roche (Collège de France, Paris) ;
  • Bénédicte Savoy (Technische Universität, Berlin) ;
  • Patrick Verley (Genève).

Date(s)

  • Monday, September 30, 2013

Keywords

  • histoire de l'art, histoire des techniques, luxe, production, manufactures, entreprises, ateliers, Révolution, goût, style, objets manufacturés, réseaux commerciaux, consommation, marchands, fabricants, consommateurs

Contact(s)

  • Natacha Coquery
    courriel : natacha [dot] coquery [at] wanadoo [dot] fr
  • Anne Perrin-Khelissa
    courriel : anne [dot] perrin [dot] khelissa [at] gmail [dot] com
  • Jörg Ebeling
    courriel : jebeling [at] dt-forum [dot] org

Information source

  • Natacha Coquery
    courriel : natacha [dot] coquery [at] wanadoo [dot] fr

License

CC0-1.0 This announcement is licensed under the terms of Creative Commons CC0 1.0 Universal.

To cite this announcement

« The progress of perfected industry », Call for papers, Calenda, Published on Tuesday, July 16, 2013, https://doi.org/10.58079/o0s

Archive this announcement

  • Google Agenda
  • iCal
Search OpenEdition Search

You will be redirected to OpenEdition Search