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  • Lisbonne

    Appel à contribution - Histoire

    From the pleasure of preserving to the pleasure of displaying

    The politics of fashion in the museum

    This symposium will focus on the challenges, possibilities and multidisciplinary aspects involved in the exhibition of fashion in a museological and curatorial context. We welcome proposals for papers and presentations that explore the following themes from diverse perspectives and approaches, by researchers and practitioners, as well as by practice-based researchers.

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  • Barcelone

    Appel à contribution - Pensée

    “Forma”, 15th issue, Comparative Studies in Art, Literature, and Thought Journal

    FORMA privileges the dialogue between disciplines and critical traditions. The subject matter of the articles is open. All the texts, as specified in the System of Arbitration section, have to comply with the guidelines established by the entities in charge of indexing scientific journals, with regard to the plurality of the editorial and scientific committees as well as the selection process and revision of published texts. All articles will undergo a double-blind peer review process.

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  • Paris

    Colloque - Représentations

    Toward a Geography of Architectural Criticism: Disciplinary Boundaries and Shared Territories

    Mapping Architectural Criticism Third International Symposium

    Ce colloque international s’inscrit dans le Programme ANR Mapping Architectural Criticism (2015-2017), dont l’objectif est de développer un champ de recherche sur la critique architecturale des dernières décennies du XIXe siècle à aujourd’hui. Il débattra deux questions clé, relatives aux « géographies » de la critique d’architecture : ses frontières disciplinaires et ses territoires partagés, notamment avec la critique d’autres disciplines, depuis les dernières décennies du XIXe siècle.

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  • Nantes

    Appel à contribution - Représentations

    Autoportraits en costumes : jeux d’identifications multiples

    L’autoportrait déguisé, à la frontière de la satire et du carnavalesque, peut masquer ou camoufler le sujet pour diverses raisons ; il peut poser la question de l’intégrité du corps, de l’individualité et de l’authenticité, notamment quand l’artiste s’engage dans un travail sériel. En modifiant son identité ou son sexe l’artiste explore les normes de la société dans laquelle il vit et se fait  porte-parole, ou porte-corps. On propose d’étudier plus en détail ces diverses stratégies de déguisement qui sont particulièrement nombreuses dans la création contemporaine. La réflexivité et l’auto-référentialité postmodernes, mais aussi les évolutions technologiques facilitant la manipulation des images ont rendu ces pratiques aisées – comme en témoignent les selfies dans l’art, ou l’avatar (si tant est qu’il est un autoportrait déguisé).

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  • Appel à contribution - Histoire

    Music and Popularity

    Czech and Slovak Journal of Humanities, special musicological issue

    For the upcoming issue of the peer-reviewed journal Czech and Slovak Journal of Humanities (August 2017) we are looking for studies focused on various aspects related to the phenomena of “music” and “popularity”. We invite articles anchored in classical music as well as popular music. Papers which directly or indirectly problematize the traditional polarisation of the aforementioned musical spheres are especially welcome. The issue provides space for specific historical investigations and case studies, but also for wider theoretical considerations which would reflect the construction of the phenomena of the so-called classical and popular music from social, political / ideological, economic, philosophical and other perspectives. In this respect, approaches of ethnomusicology and cultural geography, which would touch on the topic with regard to the specifics of particular localities, regions, nations and ethnic groups, are most desirable.

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  • Lisbonne | Sintra

    Colloque - Europe

    State-Rooms of Royal and Princely Palaces in Europe (14th-16th c.)

    Spaces, images, rituals

    From the fourteenth to the sixteenth century, European monarchies saw a gradual centralisation of power. This was accompanied by the dissemination of political ideas that contributed to the making of a new image of the prince, which relied on visual instruments to assert and construct the prince’s sovereign power. Royal and princely residences with their designated state-rooms were at the centre of this phenomenon. Their decors, particularly during ceremonies, reflected political interests and ambitions that were essential to the image of the prince. By placing a particular emphasis on the decor of those state-rooms, this workshop aims to increase our insights into the relations between the architecture, decoration, and rituals of monarchical power in state-rooms from the late middle ages to the beginning of the early modern period.

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  • Lisbonne

    Appel à contribution - Moyen Âge

    Souls of Stone

    Funerary sculpture: from creation to Musealization

    The Instituto de Estudos Medievais (IEM) and the Instituto de História da Arte (IHA) of the Faculdade de Ciências Sociais e Humanas of the Universidade Nova de Lisboa (FCSH/NOVA), along with the Centro de Investigação e Estudos em Belas Artes (CIEBA) of the Faculdade de Belas Artes of the Universidade de Lisboa, and in collaboration with the Museu Nacional de Arte Antiga in Lisbon, are organizing the International Congress “Souls of Stone. Funerary Sculpture: from the Creation to the Musealization”. Historians, museologists, restorers and all the researchers in general working on the topic are invited to submit proposals

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  • Huddersfield

    Appel à contribution - Études du politique

    Finding Democracy in Music

    For a century and more musicians have sought to relate their practices to the values of democracy. But political theory teaches that democracy is a highly contested category. This symposium aims to interrogate claims for the “democratic” nature of music.

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  • Lisbonne

    Appel à contribution - Ethnologie, anthropologie

    Intangibility Matters

    International Conference on the values of tangible heritage

    Tangible heritage is the support of some of the most relevant and perennial values of Mankind. It connects us with History, projects us to past environments and to lost cultural contexts, includes landmarks of our identity and constitutes a relevant economic asset. Therefore tangible heritage has intangible aspects inextricably associated to it and when tangible heritage is addressed, intangibility matters. Conservation of tangible heritage is a cultural act with the value approach as a leading concept. The protection statutes, the arguments used to sustain the protection policies, the management options and definition of priorities, the allocation of resources and the uses of heritage assets are intimately connected and dependent on values, bringing to focus the intangible side of their nature.

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  • Appel à contribution - Époque moderne

    Costellazioni. Realism in the arts (and beyond)

    In recent years, an overt turn back towards the domain of the real has occurred in the arts, with efforts in this direction being witnessed in the visual arts, in music, and in literature alike. In parallel, the status of reality within our linguistic, emotive, and cognitive practices continues to provoke a heated debate among philosophers. Instead of such answers as might be supplied by rigid philosophical paradigms, it seems to us that the debate over the status of reality demands an open dialogue and the contribution of diverse modes of enquiry and reflection. 

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  • Lisbonne

    Appel à contribution - Représentations

    The museum reader: what practices should 21st century museums pursue, how and why?

    The international conference The Museum Reader, organised by the Art History Institute of the Faculty of Social and Human Sciences of the Universidade Nova de Lisboa and the National Museum of Contemporary Art – Museu do Chiado, aims to propose thematic lines and noteworthy points to stimulate thought, reflection and debate of new realities, practices and working conditions identified in museums in the 21st century. 

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  • Weimar

    École d'été - Représentations

    Challenges of Media Anthropology

    Princeton-Weimar summer school for media studies

    The Princeton-Weimar Summer School for Media Studies – a collaboration between Bauhaus-Universität Weimar (IKKM) and Princeton University (German Department) – returns to Weimar in 2017 for its seventh installment. The Summer 2017 session will take place in Weimar, Germany, from June 10-17, 2017 and is entitled “Challenges of Media Anthropology”.

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  • Paris

    Appel à contribution - Histoire

    Toward a Geography of Architectural Criticism

    Disciplinary Boundaries and Shared Territories

    The research project Mapping.Crit.Arch: Architectural criticism 20th and 21st centuries, a cartography, funded by the French Agence Nationale de la Recherche, aims to develop a field of research on the history of architectural criticism, from the last decades of the 19th century to the present day. It is based on an international network of scholars, whose interests cover the history of architectural criticism at various levels and through different approaches (including architectural theory, history of preservation, historiography of architecture, history of architectural periodicals and of criticism, history of photography).

     

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  • Anvers

    Appel à contribution - Époque contemporaine

    Food, glorious food

    Food at the heart of nineteenth-century art

    This symposium intends to study the various and complex relations between food, the experience of eating, and nineteenth-century art. For this conference, we welcome papers that discuss how the development of the food industry and the changing notion of “taste” and social mores are reflected in nineteenth-century art in the broadest sense. Papers may concern visual arts including graphic arts in the form of illustrated advertisements and culinary literature, as well as nouveautés (objects which were designed to reflect the evolution of eating and table manners).

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  • Nice

    Appel à contribution - Époque contemporaine

    Framing Street Art

    Cross-disciplinary International Conference by Nice Street Art Project

    L’art est partout : il suffit d’ouvrir les yeux et/ou de décréter que quelque chose est de l’art. C’est ce qu’a fait Ernest Pignon-Ernest en collant des cadres sur des murs de la ville de Nice, entre 2004 et 2013. Chantre du lieu porteur intrinsèque de poésie et de mémoire, l’artiste ne faisait rien d’autre que d’utiliser le signe-cadre comme outil de révélation du potentiel artistique des murs, c’est-à-dire comme outil d’artification. Le cadre fait en effet référence à l’œuvre muséale, qu’il entoure, protège et met en valeur. Par définition, les œuvres de Street Art n’ont pas de cadre à proprement parler si l’on entend par Street Art un art « self-authorized », c’est-à-dire auto-autorisé, et réalisé dans l’espace public ou les lieux abandonnés, en tout cas in situ. Le cadre est pourtant une question essentielle et problématique, à plusieurs titres.

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  • Barcelone

    Appel à contribution - Pensée

    "Forma", 14th issue, Comparative Studies in Art, Literature, and Thought Journal

    Revista d'Estudis Comparatius. Art, Literatura i Pensament's "Forma" numero 14

    FORMA privileges the dialogue between disciplines and critical traditions. The subject matter of the articles is open. All the texts, as specified in the System of Arbitration section, have to comply with the guidelines established by the entities in charge of indexing scientific journals, with regard to the plurality of the editorial and scientific committees as well as the selection process and revision of published texts. All articles will undergo a double-blind peer review process.

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  • Bourse, prix et emploi - Amériques

    Charles C. Eldredge prize 2017

    The Smithsonian American Art Museum is now accepting nominations for the 2017 Charles C. Eldredge Prize. Single-author books devoted to any aspect of the visual arts of the United States and published in the three previous calendar years are eligible. To nominate a book, send a letter (not to exceed one page in length) explaining the work’s significance to the field of American art history and discussing the quality of the author’s scholarship and methodology. Nominations by authors or publishers for their own books will not be considered.

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  • Appel à contribution - Histoire

    Musicologica Olomucensia Journal

    Musicologica Olomucensia is a peer-reviewed scholarly journal founded in 1996 at Palacký University, one of the oldest Central European universities. The journal is intended for the musicological community. With historically, theoretically and analytically focused studies, the journal presents the results of fundamental scientific research conducted by members of Czech and international musicological institutions and high-level university students. In addition, the magazine brings news from academic conferences, reviews of musicological literature and information about ongoing research projects

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  • Bourse, prix et emploi - Représentations

    2017 Terra Foundation for American art international essay prize

    The Terra Foundation for American art international essay Pprize recognizes excellent scholarship by a non-U.S. scholar in the field of historical American art. Manuscripts should advance the understanding of American art, demonstrating new findings and original perspectives.

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  • Poitiers

    Journée d'étude - Histoire

    Le sacré et la parole : le serment au Moyen Âge

    The aim of this meeting is to work about sacrament and oath in the Middle Age. This event will allow to researchers of different relevances (litterature, philosophy, history, philology) to cross their studies.

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