AccueilCalendrier2015

AccueilCalendrier2015




  • Münster

    Appel à contribution - Représentations

    L’héraldique dans les salles d’apparat

    Vers une typologie des programmes héraldiques dans les lieux d’autoreprésentation

    Soit dans les palais royaux et princiers, les châteaux nobles, les résidences patriciennes, les hôtels de ville ou les chapitres de cathédrales, maintes salles d’apparat du Moyen Âge et de l’Époque moderne sont munies de programmes héraldiques. Alors même qu’ils font partie intégrante de l’arrangement de ces salles, ceux-ci ont été cependant peu étudiés jusqu’ici. Ce workshop a pour objectif de proposer une première vue d’ensemble de ces programmes héraldiques des salles d’apparat par travers le Moyen Âge et l’Époque moderne en Europe et d’en proposer une première typologie.

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  • Séville

    Journée d'étude - Époque moderne

    Science, Nature and Art in the Time of the Baroque

    Baroque School Focus – Abengoa Foundation

    With the birth of the “new science” in the wake of Bacon, the theories on the world and nature ceased being essentially poetic –as they were considered in the long inherited mediaeval tradition– and began to be felt as essentially scientific. Modern science and the development of the artistic culture of the Baroque came hand in hand and became the cornerstones of the history of European culture. In this modern science, the discovery of the foundations of nature led to questions on the relationship between people and the natural environment, which went beyond living nature to open up new avenues to the theories of light and colour, space and time, as expressed in the creative brilliance of Velázquez in the gardens of Villa Medicis.

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  • Rennes

    Appel à contribution - Représentations

    Architectural criticism: a part of public debate or an autonomous "discipline"?

    Mapping Architectural Criticism first International Workshop

    This call concerns the first of a series of three international workshops, which will take place in January 2016 (Rennes 2 University), Spring 2016 (University of Bologna) and Fall 2016 (Paris and Rennes). The aim of these three workshops is to foster scholarship on history of architectural criticism and to facilitate exchanges between scholars involved in this field of research. This first workshop is to be held at Rennes 2 University on Monday, January 18, 2016. It will deal with the relationship of criticism with "public opinion" and on the opposite side, its relation to architecture as an autonomous discipline.

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  • Amsterdam

    Appel à contribution - Représentations

    City of Sin: Representing the Urban Underbelly in the Nineteenth Century

    European Society for nineteenth-century art Conference 2016

    The European Society for nineteenth-century art (ESNA) invites all nineteenth-century devotees to submit a proposal for the 2016 conference "City of Sin: Representing the Urban Underbelly in the Nineteenth Century".

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  • Venise

    Appel à contribution - Représentations

    Typical Venice?

    Venetian Commodities, 13th-16th centuries

    What are "Venetian" commodities? More than any other medieval or early modern city, Venice lived off of the trade of portable goods. In addition to trading foreign imports, the city also engaged in intense local production, manufacturing high quality glass, crystal, cloth, metal, enamel, leather, and ceramic objects, characterized by their exceedingly rich forms and complex production processes. Today, these objects are scattered in collections throughout the world, but little remains in Venice itself. In individual instances, it is often difficult to tell whether the objects in question were actually made in Venice or if they originated in Byzantine, Islamic, or other European contexts.

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  • Washington

    Colloque - Représentations

    Shifting Terrain: Mapping a Transnational American Art History

    A Terra Symposium on American Art in a Global Context

    The increasing internationalization of the study of American art has altered the topography of the discipline in ways that are widely acknowledged but not yet clearly defined. This two-day event will map out the changes that are occurring in the field of American art as it becomes enmeshed in a global art history. Sessions will examine current trends of inquiry and suggest new directions for scholarship. 

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  • Düsseldorf

    Appel à contribution - Représentations

    Museum global?

    Multiple Perspectives on Art, 1904–1950

    Currently, profound societal upheavals require a repositioning of the concept of "Modern Art." As a museum, the Kunstsammlung Nordrhein-Westfalen is responding to the effects of globalization and digitalization by devoting itself to the pressing theme of "globalism" and the challenges associated with it.

     

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  • Paris

    Appel à contribution - Ethnologie, anthropologie

    21st meeting of the Study Group on Historical Sources of Traditional Music

    The 21st meeting of the Study Group on Historical Sources of Traditional Music will take place March 9-13, 2016 in Paris, France, by invitation of Susanne Fürniss, MNHN.

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  • Bourse, prix et emploi - Amériques

    Charles C. Eldredge Prize 2016

    The Smithsonian American Art Museum is now accepting nominations for the 2016 Charles C. Eldredge Prize. Single-author books devoted to any aspect of the visual arts of the United States and published in the three previous calendar years are eligible.

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  • Lisbonne

    Appel à contribution - Études urbaines

    The Paradigmatic City: Origins, Avatars, Frontiers

    Ao longo da história da civilização, as cidades oferecem-nos paradigmas. Elas personificam formas ideais de vida social; surgem como capitais de impérios, mas também como centros de uma identidade nacional, cultural e religiosa; são focos de desenvolvimento económico e político. Todas estas formas se revestem de particular interesse para este congresso. Muitas cidades podem ser consideradas paradigmáticas: Atenas ou Roma, na Antiguidade Clássica; Veneza e Florença, como reflexo das dinâmicas transformações do Renascimento; Londres, Paris e Berlim, como capitais da Modernidade; Nova Iorque, Rio de Janeiro, Tóquio ou Xangai, como epítomes das novas metrópoles em franco crescimento.

     

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  • Londres

    Appel à contribution - Époque moderne

    Fabrications: Designing for Silk in the Eighteenth Century

    Joubert de la Hiberderie’s Le Dessinateur d’étoffes d’or, d’argent, et de soie (1765) was the first book to be published on textile design in Europe.  In preparation for the publication of an English translation and critical edition of the text this one day conference calls for papers that will analyse, critique, contextualise, review or otherwise engage with the Le dessinateur in the light of its themes: production, design, technology, education, botany and art.  Joubert’s manual argues for both a liberal and a technological education for the ideal designer. Such a person must, he argues, have detailed knowledge of the materials, technologies and traditions of patterned silk in order successfully to propose new designs; he or she must also have taste and an eye for beauty, which call, he says, for travel in order to see both the beauties of nature and those of art gathered in the gardens and galleries of Paris and the île de France.  

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  • Gand

    Appel à contribution - Europe

    Tracing Types: Comparative Analyses of Literary and Visual Sketches (1830-1860)

    This call for papers deals with nineteenth-century sketches (sometimes referred to as "panoramic literature"). It seeks to focus on the comparative analysis of these sketches, both texts and images, and trace how representations of specific types vary across sketches from different places, media and editorial contexts. 

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  • Pékin

    Appel à contribution - Asie

    Creative Misunderstanding

    34th World Congress of Art History – Session 15

    In the spirit of the Section’s proposal we can read: "The focus here is on misunderstanding and misinterpretation in the history of art. It intends to further study the problem of the reception of foreign, heterodox and non-traditional cultures." Everybody knows the 19th century misinterpretation of the cloud and fog representation in the Chinese landscape painting as early impressionistic sign of atmosphere. Another example of a (tragic) mistake from the 20th century is the destruction of the Montecassino abbey by an American bomber because of a misunderstood verbal instruction. (The American decoder thinks the German word "Abt" (abbey) for the abbreviation of German "Abteilung" (military department).) However, our understanding of the Section title is based on the confrontation of the two concept creativity and misunderstanding.

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  • Paris

    Colloque - Histoire

    Les circulations artistiques Sud-Sud

    L'internationalisme décentré affiché par les biennales de la Havane, de Dakar ou de Gwangju, invite à ne plus se contenter d’une conception nord-atlantique de l'histoire de l'art, et à considérer sérieusement des villes et régions qui ont été marginalisées peut-être plus encore de nos sujets de recherche que des circulations artistiques effectives. L’historicisation et la mesure des circulations artistiques dans les marges sont aujourd’hui des tâches décisives pour démontrer, nuancer ou contester la “provincialisation” de l’Occident dans l’histoire récente de l’art. C’est l’objet de la prochaine conférence Artl@s, qui cherche à réunir des chercheurs de tous horizons géographiques et disciplinaires afin de réfléchir ensemble à l’hypothèse de circulations artistiques « Sud-Sud » depuis la décolonisation jusqu’à aujourd’hui.

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  • Santo Tirso

    Appel à contribution - Représentations

    Public Art: Place, Context, Participation

    The Instituto de história da arte, Faculdade de ciências sociais e humanas, universidade Nova de Lisboa is organising the International conference « Public Art: Place, Context, Participation », taking place on 23 and 24 October 2015 at Fabrica Santo Thyrso, in Santo Tirso, based on a proposal by the city council of Santo Tirso. The conference is linked to a reflection on the works developed since 1991 by the international symposia on contemporary sculpture, headed by sculptor Alberto Carneiro and professor and art critic Gérard Xuriguera, whose tenth and final edition, currently ongoing, will allow the conclusion of the International museum of contemporary sculpture of Santo Tirso.

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  • Paris

    Colloque - Asie

    Singapour mon amour : The emergence and vicissitudes of an art scene

    This colloquium proposes a theoretical perspective on the visual art, film, performance and literature modules of the project Singapour mon amour curated by Lowave. Thematic sessions according to these art genres will draw a bigger picture of the artistic creation in Singapore and will inscribe it into an international art discourse. As a young country, Singapore's art history is still the process of being written and the colloquium aims to collect as many direct sources and witnesses as possible.

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  • Paris

    Colloque - Représentations

    Faire l'histoire de la mode dans le monde occidental

    Ce colloque international propose une réflexion pluridisciplinaire sur les expériences, les concepts et les discours des musées ou des universités, sur leurs origines intellectuelles et les cadres institutionnels qui permettent de les produire, dans la diversité des contextes locaux ou nationaux. L’objectif est de mieux comprendre les différentes logiques scientifiques pour faire apparaître de nouvelles convergences dans le domaine de la recherche, ouvrir sur une coopération internationale renouvelée.

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  • Lisbonne

    Appel à contribution - Ethnologie, anthropologie

    Glazed Ceramics in Architectural Heritage

    Glaze Arch 2015

    Glazed ceramics are used in architecture since at least the 6th century BC, as the magnificent Ishtar Gate, partially reconstructed in the Berlin Pergamon Museum, testifies. Glazed tiles decorated with intricate geometric patterns and Arabic writing were for centuries, and still are, in widespread use in the Islamic countries and for westerners remain one of the most recognizable and constant marks of the beauty of mosques. From their origin in the Middle East and flourishing in the Islamic world, glazed tiles spread to Spain and Portugal, to Italy, the Low Countries and most of Europe. Modern majolica was perfected in Italy during the 15th century and saw an early architectural integration in the works of Luca Della Robbia. A representative work is the vault of the Capilla del Cardinal del Portugallo in the church of San Miniato al Monte (Florence) where the tondi protrude from a covering of patterned glazed tiles, curiously of the same pattern as later used in façade glazed tiles manufactured in Lisbon in the 19th century.

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  • La Haye

    Cycle de conférences - Histoire

    Friend or Foe: Art and the Market in the Nineteenth Century

    The attitudes towards art dealers in the nineteenth century are rather diverse. The aim of this conference is to bring together case studies from a wide variety of (inter)national, chronological and artistic contexts which critically examine both the (alleged) impact of nineteenth-century art dealers on the art world and the sites of resistance towards this impact.

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  • Appel à contribution - Représentations

    The "Visual Studies Attitude"

    Theories and Practices of Visual Culture Today

    The journal Revista de Comunicação e linguagens is inviting submissions of original papers on theories and practices of visual culture today. We welcome both theoretical and case-study articles in English and Portuguese engaging with (among others):Photography; Film, moving-images and time-based media; New media; Scientific, technical and medical imagery; Debates around the power and agency of images; Practices of looking and modes of spectatorship; The “pictorial” or “iconic” turn; Debates about the value of the image in modern and post-modern culture; iconoclasm, iconophobia, and different media’s contribution to the (perceived) proliferation of images ; Images and literary texts.

     

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