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  • Nimègue

    Colloque - Religions

    Passions and the Mystical

    Between Affecting and Being Affected

    It is a pleasure to invite you to the annual Mystical Theology Network Conference: Passions and the Mystical. Between Affecting and Being Affected. Theologians, religious studies scholars, philosophers, literary scholars, (art) historians, creative practice researchers, writers, artists and scholars working in related fields will discuss and map out the wider semantic field of ‘passion(s)’ across mystical traditions.

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  • Barcelone

    Appel à contribution - Moyen Âge

    Medieval Women and the Arts

    Literacy, Education, and Visual Culture

    This event is conceived as a place of discussion and exchange for scholars, researchers, and postgraduate students who consecrate their work to the field of social, cultural, and intellectual history of women.

     

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  • Londres

    Appel à contribution - Histoire

    Revisiting Early Modern Prophecies (c.1500 – c.1815)

    Conférence internationale sur la prophétie en Europe et dans le monde méditerranéen à l'époque moderne. La conférence se tiendra à Goldsmiths, Université de Londres, du 26 au 28 juin 2014.

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  • Leyde

    Colloque - Représentations

    Rethinking the Dialogue Between the Visual and the Textual

    Methodological Approaches to the Relationships Between Religious Art and Literature (1400-1700)

    In recent decades, the interactions between religious art(s) and literature(s) in the Late Middle Ages and Early Modern Period have been an important area of study for many scholars. More particularly, the study of the interconnectedness of texts and images and of the contact zones between visual arts and literature constitutes an emerging field that is particularly stimulating for both art historians and historians of literature. These scholarly interests generate a range of general methodological and theoretical questions: how can a text be used to understand an image? How can an image help to discern the meaning of a text? How do we interpret texts and images together in order to understand the religious culture of these periods? How do we consider them in relation to each other, without underestimating the specificities of each medium? What are the purposes of the combined study of these sources?

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