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  • Appel à contribution - Amériques

    Envisioning Latin America: Power and Representation in audiovisual (re)productions

    Forma Revista d'Estudis Comparatius. Art, Literatura, Pensament

    This issue seeks to critically address power structures in audiovisual (re)productions in and from Latin America and discuss how these play a role in the societal construction and representation of individual and collective identities, the ‘us’ and the ‘other’. By doing so, it aims at understanding how these representations – and broader discourses associated therewith – can be critically examined through media productions (cinema, television, radio, photography etc.) and their use as historical sources.

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  • Madrid

    Appel à contribution - Amériques

    The Presence of America in Madrid

    Art, Images and Material Culture in Transit

    As is well known, during the Early Modern period, hundreds of objects, artworks, painted and illustrated documents and manuscripts were sent from the Spanish viceroyalties in America to Iberian Spain. This circulation has been the object of renewed academic interest in recent years. In response to this trend, it seems necessary to better understand the particular place that Madrid, as both city (villa) and court (corte), occupied within this broader phenomenon. We invite proposals based on original research that can contribute to advancing the current state of knowledge and explore new questions and theoretical frameworks for our better understanding of these unique objects and works of art.

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  • Paris

    Appel à contribution - Représentations

    Nouveaux mondes, anciens mondes, mondes perdus

    Représenter et médiatiser la Préhistoire dans l’art et la culture visuelle américains

    De l’Atlantide, aux « Mound Builders » précolombiens, en passant par le combat acharné entre un T. Rex et des hommes des cavernes, les visions des mondes anciens et « perdus », flottant entre les faits et la fantaisie, ont longtemps exercé une fascination sur les artistes et les acteurs de la culture visuelle en Amérique. Comment ceux-ci ont-ils dépeint la Préhistoire et à quelles fins ? Comment l’imaginaire de la Préhistoire, du XVIIIe siècle aux années 1980, a-t-il contribué à de nouvelles conceptualisations de la culture, du temps, et de l’espace ? Les contributions à ce colloque de deux jours aborderont les images de la préhistoire et leur fonctionnement dans différents médias et dans des contextes artistiques et non artistiques. 

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  • Londres | Grenoble

    Colloque - Amériques

    Cozinhando imagens, tejiendo feminismos. Latin american feminist film and visual art collectives

    During the last years, there has been a revitalization of feminist movements internationally. In Latin America, the performance of ‘A Rapist in Your Path’ by the collective LasTesis on 25 November 2019 put Chilean feminism in the global spotlight. This revitalization is also pushing for political and legal reforms, such as the approval of a bill legalising abortion in Argentina on 30 December 2020. The alliances between feminists, artists, and filmmakers in Latin America are not new. Fuelled by the 1970s women’s movement, several feminist film collectives emerged during this decade and instrumentalized cinema to raise awareness about women’s issues and intervene in political contexts.

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  • Montpellier

    Appel à contribution - Représentations

    Black Lives Matter: Political and artistic mobilization against systemic racism in the US and the UK

    Within the context of the Black Lives Matter movements in the United States and the United Kingdom in the 2010s and 2020s, this conference will examine antiracist mobilizations and their historical continuities, their transatlantic circulations, their political resonance, as well as the many responses they have elicited, particularly in the arts.

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  • Séminaire - Études urbaines

    Urban MetaMapping Seminar Series, 2023/24

    The UrbanMetaMapping Research Consortium warmly invites you the third edition of our online, midday academic talks on issues connected to our research interests on mapping man-made and natural catastrophes, heritage, urban planning, and digital tools used for researching these.

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  • Paris

    Appel à contribution - Amériques

    New Monuments

    Iconoclasm, Reenactments, and Alternative Commemorations in the United States since 2000

    As demonstrated by Wendy Bellion’s scholarship, iconoclasm lies at the foundation of the United States. Yet Bellion also shows us that, rather than being sealed in the past, iconoclastic projects continue into the present. Iconoclastic destruction invariably entails creation—whether it is the construction of new monuments to replace the toppled ones, or the coalescence of a new community, movement, or nation. This conference seeks to bring together scholars interested in monuments and their destruction, public history and public art, historical reenactments, memory studies, and artistic practices across diverse media. We invite papers that evaluate recent commemorative projects, examine acts of iconoclasm and their aftermath, and study or propose novel approaches to representing historic events. 

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  • Appel à contribution - Époque moderne

    A Different Perspective for the Atlantic Routes

    Impressions and Exchanges in Transoceanic Journeys from the 16th to the 19th Century

    After more than two years of a preparation that have been careful and laborious, but slowed down and hindered several times by the difficulties that have arisen due to the global pandemic, this project finally gets underway. It intends to go back once more to questioning issues that already count important in-depth studies, like the transoceanic relations between the sixteenth and nineteenth centuries, but also has the ambition of wanting to integrate the results already obtained with new reflections and achievements, and above all with a different point of view.

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  • Lyon

    Appel à contribution - Représentations

    When Theory Becomes Practice

    Comité international d’histoire de l’art 2024

    The thirty-sixth Comité international d’histoire de l’art congress will host more than ninety parallel sessions over the four days of conferences. This session “When Theory becomes Practice – New Materialism, Object-Oriented Ontology and Perspectivism in Contemporary Art” will endeavour to understand the impact of new philosophical and anthropological approaches on art-making.

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  • Paris

    Appel à contribution - Amériques

    New Monuments: Iconoclasm, Reenactments, and Alternative Commemorations in the United States since 2000

    As demonstrated by Wendy Bellion’s scholarship, iconoclasm lies at the foundation of the United States. Yet Bellion also shows us that, rather than being sealed in the past, iconoclastic projects continue into the present. This conference seeks to bring together scholars interested in monuments and their destruction, public history and public art, historical reenactments, memory studies, and artistic practices across diverse media. We invite papers that evaluate recent commemorative projects, examine acts of iconoclasm and their aftermath, and study or propose novel approaches to representing historic events.

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  • Paris

    Appel à contribution - Langage

    Mina Loy and Her Networks

    Following on the heels of the recent modernist celebrations of 1922, 2023 marks the centenary of the publication of Mina Loy’s first collection of poems Lunar Baedecker, published in Paris by Robert McAlmon in his Contact collection. This conference aims to prompt new perspectives on Loy scholarship, paying particular attention to her networks and her presence in French artistic circles and to the French reception of her work.

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  • Montréal

    Appel à contribution - Études urbaines

    The unresolved tensions of mass housing

    Session in the Society of Architectural Historians Conference 2023

    This session invites contributions that examine the diffusion and transformation of mass housing projects worldwide. It focuses on how the processes and outcome of housing projects relate to programs of social reform, restructuring or coercion, in various cultural and political contexts from the 1920s to recent years.

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  • Détroit

    Colloque - Études urbaines

    Reinventing Public Space in Business Improvement Districts

    Over the last two decades, public space renewal in downtown Detroit, as in other cities, has undergone phases of experimentation in response to emerging phenomena that put pressure on existing governance models. This includes most notably “metropolitanization,” referring to the increasing geographical scales of interdependence developing in response to the stalemate coming from increasing partisan bickering and shrinking subsidies that have negatively impacted the provision of public services at local levels. New public space governance models based on a large range of partnership forms have emerged in this context and in response to the need to reimagine urban identities, which are critical in ensuring global competitiveness.

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  • Lisbonne

    Appel à contribution - Histoire

    History of art today - Modus operandi symposium

    Artis - Art history institute of the school of arts and humanities, university of Lisbon, promotes the History of art today – Modus operandi symposium, on the occasion of Professor Vítor Serrão’s retirement (b.1952). To the tribute that is due to one of the most influential Portuguese art historians in recent decades, there is also a tribute to another great name in national art history, professor José-Augusto França (1922-2021), celebrating the centenary of his birth. Exponents of their respective generations, master and disciple, both were decisive in consolidating History of art in Portugal as an autonomous discipline in terms of teaching, research and civic intervention. The moment of homage is also a moment of reflection on the importance of Art history today and its role in society.

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  • Appel à contribution - Pensée

    Brazil Meeting of the Global Bergsonism Research Project

    Based on the pioneering work of Bento Prado Júnior and Franklin Leopoldo e Silva, Bergsonian studies have developed significantly in Brazil over the last twenty years. This includes a thematic diversity that allows a rich dialogue with other scholars around the world. This Webseminar will be an occasion to discuss the potentialities of Bergon’s work, explored in an original way through the diversity of schools and academic backgrounds of all continents. We hope to encourage and foster discussions in a concrete practice of “ouverture” – mental, cultural and social – renewing questions and problematizations around three themes: spirit and life, Bergson and the history of philosophy, Bergson and contemporary philosophy.

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  • Appel à contribution - Histoire

    “RSAJournal” - Special section - Varia

    RSAJournal, the journal of the Italian Association of American Studies (currently transitioning to OJS), is seeking Special Section proposals for its 35th issue. The Special Section revolves around one “leading edge” topic/concept in the field of American Studies and typically includes six journal-length essays by established as well as early career scholars.

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  • Aix-en-Provence

    Appel à contribution - Amériques

    Power struggles in popular music

    International Congress French Association of American Studies “Power and empowerment”

    For the last fifty years, scholars have routinely analyzed popular music as a site of resistance against the dominant social, political, and economic structures. Typically, the Birmingham Centre for Contemporary Cultural Studies (CCCS) founded in 1964 by Stuart Hall and Richard Hoggart explored, on the basis of the subcultural theory developed in the 1920s at the University of Chicago, the appropriation and transformation by working-class and middle-class youth of the commercial products thrown at them by the culture industry, claiming that “popular music is an integral node in the lifeworlds, collective identification, and resistance practices of young people” (Taylor 4). They also examined the “semiological guerilla warfare” (Eco) that resulted when, in turn, the cultural industries appropriated and commodified the sounds and practices released by subcultural youth and converted them into “an exceptionally profitable commodity” (Drake 3).

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  • Saint-Martin-d'Hères

    Bourse, prix et emploi - Amériques

    International Excellence in the Humanities Programme - Post-doctoral fellowships 2023-2024

    Université Grenoble Alpes

    The Maison de la création et de l’innovation (MaCI), UGA’s Center for the Humanities, is launching its annual Post-doctoral Fellowship Programme funded by the France 2030 ANR project GATES (Grenoble ATtractiveness and ExcellenceS). The postdoctoral fellows will be hired on a fixed-term two-year contract. They will receive a gross salary of 2981 euros per month.

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  • Appel à contribution - Représentations

    Bande dessinée et écopolitique

    “Comicalités” journal

    Dans le contexte d’une prise de conscience collective de l’urgence climatique et de la sixième extinction massive, on assiste ces dernières années à une explosion du nombre de bandes dessinées sur le thème de l’environnement, lequel s’impose plus largement comme un sujet clé dans la production artistique et culturelle d’aujourd’hui. Ce dossier thématique entend réfléchir sur le potentiel écopolitique de la bande dessinée.

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  • Washington

    Bourse, prix et emploi - Amériques

    The Smithsonian American Art Museum (SAAM) and its Renwick Gallery

    2024–2025 Fellowships at the Smithsonian American Art Museum

    The Smithsonian American Art Museum (SAAM) and its Renwick Gallery invite applications to its premier fellowship program, the oldest and largest in the world for the study of American art. Scholars from any discipline who are researching topics that engage the art, craft, and visual culture of the United States are encouraged to apply, as are those who foreground new perspectives, materials, and methodologies. SAAM is devoted to advancing inclusive excellence in the discipline of art history and in higher education more broadly, and therefore encourages candidates who identify as members of historically underrepresented groups to apply.

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