AccueilTypes

AccueilTypes




  • Buenos Aires

    Appel à contribution - Pensée

    Rythme dans l’art

    Rhythm is a central element in the creation of meaning in art, and its configuration is such that it requires a multi, inter and transdisciplinary approach. The difference of materials, procedures and events masks the resemblance of rhythmic phenomena that are similar in different arts and hides their identity or their homology. In the work of some scholars, the concepts do not seem to belong to a particular artistic discipline, being rather characteristic of the rhythmic phenomenon. The objective of this conference is to provide an instance for exchanging knowledge, concerns and aspirations for those who have been devoting themselves to the study of rhythm and artistic creation on the subject.

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  • Belo Horizonte

    Appel à contribution - Pensée

    Contemporary Aesthetics: Dialogues through Art, Culture and Media

    ICA22 - 22nd International Congress of Aesthetics

    The 22nd International Congress of Aesthetics (ICA 2022) Belo Horizonte aims at the increasing and deepening of the discussion by today’s practitioners of Aesthetics and Philosophy of Art, about the modes, through which this field of knowledge could contribute to enhance peaceful and fruitful contacts among the most different people and cultures of the world.

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  • Belo Horizonte

    Appel à contribution - Époque contemporaine

    13th International Congress of Aesthetics – Brazil

    13th International Congress of Aesthetics – Brazil

    The 13th International Congress of Aesthetics – Brazil, entitled “Os fins da arte”, aims to highlight recurring themes in the history of philosophical aesthetics, elaborating the already constant ambiguity in its title, namely: “fins”. The term refers to the millenarian discussion about the uses of art in the past, present, and future. This takes on the important question about the autonomy of art and the regime of its heteronomy that not only asserted itself in its beginnings, but still imposes itself in the form of market demands tending to disfigure the original impetus of important aesthetic manifestations. 

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