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Buenos Aires
Rhythm is a central element in the creation of meaning in art, and its configuration is such that it requires a multi, inter and transdisciplinary approach. The difference of materials, procedures and events masks the resemblance of rhythmic phenomena that are similar in different arts and hides their identity or their homology. In the work of some scholars, the concepts do not seem to belong to a particular artistic discipline, being rather characteristic of the rhythmic phenomenon. The objective of this conference is to provide an instance for exchanging knowledge, concerns and aspirations for those who have been devoting themselves to the study of rhythm and artistic creation on the subject.
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Bogotá
Appel à contribution - Préhistoire et Antiquité
Dialogues in Antiquity: Archetypes for a Contemporary World
Xth Conference on Classical Philology in honorem Giselle von der Walde
The expressive wealth of dialogue presents itself in numerous artistic and intellectual ways. The encounters between emotional and aesthetic resources, pedagogical and didactic purposes, as well as between claims of objectivity and scientific rigor, are fertile ground for the transdisciplinary inquiry characteristic of classical studies. This invites a diversity and multiplicity of perspectives for contributions in relation to ancient authors and their works. Investigating the history of dialogue since Antiquity also allows us to consider it as an archetype for the exchange of opinions and ideas. This is suitable for dealing with current problems that increasingly require the willingness to negotiate and rethink ideas and convictions, empathize with the feelings of others, and build agreements based on the examination of opposing arguments and points of view.
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Ouro Preto
Figurations and Interlocutions: The Feminine Question in Walter Benjamin’s Oeuvre
Artefilosofia Journal
Even though he was a philosopher, not a poet, Walter Benjamin (1892-1940) thought poetically, says Hannah Arendt about his friend and life-long correspondent. In his oeuvre, the feminine appears through recurrent images whose meaning may vary according to the context, in different figurations and fictions. In agreement with these fictional figurations, one of his first essays presents the question of what a feminine culture or a feminine language would be (Metaphysik der Jugend, GS, II, I, 1977).
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Rio de Janeiro
Marcos do pensamento Ocidental
Le projet a été conçu à partir de quatre européens qui ont fortement influencé la pensée occidentale au cours du XXe siècle. Leurs œuvres sont une référence quand il s’agit de questions impliquant la transdisciplinarité, et, en même temps, d’une perspective non-eurocentrique. Malgré la spécifité de chacun de ces discours, on peut les rassembler autour tant de la problématique du privilège du temps présent que de la production de subjectivité. La répercussion de leurs travaux au Brésil et en Amérique Latine n’a jamais cessé de jeter des lumières sur les enjeux concernant l’ethos de ces pays et ses lectures possibles.
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Bragança Paulista
Do reino das sombras: figurações da morte
Convidam-se académicos, investigadores e professores de diferentes disciplinas a apresentarem comunicações sobre tópicos relacionados com congresso Do reino das sombras: figurações da morte, desde que inscritos nalgum dos seus âmbitos de investigação (Estudos Clássicos, Estudos Literários e Linguísticos, Filosofia, Psicologia, História,Teologia, Estudos Artísticos e Culturais) e numa das suas duas linhas temáticas fundamentais: 1-As narrativas acerca da morte na Antiguidade Greco-Latina, quer na sua versão mítica, quer histórica; 2- As reinterpretações literárias, filosóficas, psicológicas e artísticas de mitos e narrativas sobre a morte, quer em autores antigos quer em autores posteriores.
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