AccueilTypesAppel à contribution
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Montpellier
Appel à contribution - Représentations
Black Lives Matter: Political and artistic mobilization against systemic racism in the US and the UK
Within the context of the Black Lives Matter movements in the United States and the United Kingdom in the 2010s and 2020s, this conference will examine antiracist mobilizations and their historical continuities, their transatlantic circulations, their political resonance, as well as the many responses they have elicited, particularly in the arts.
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Reims
Appel à contribution - Représentations
Retrophilia, Nostalgia, and the End of Pop Culture
The purpose of this publication is to question and re-evaluate Simon Reynold’s 2011 statement that “We live in a pop age gone loco for retro and crazy for commemoration. […] Could it be that the greatest danger to the future of our music culture is … its past?” One decade after Reynolds’s thought-provoking analysis, one may wonder whether this assumption is still relevant today. Can it be extended to other objects of pop culture (films, series, music, video-games, tatoo art, etc.)? In the Post-pandemic age, is pop culture still fixated on its (and our) past? Is this “addiction” to the past a regressive trend or, on the contrary, an opportunity to reassess modern history and re-evaluate its legacy and its representation in popular mass media? In terms of forms and formats, can something “radically new” emerge from nostalgia?
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Grenoble
Appel à contribution - Études du politique
Following two different and yet complementary approaches (one from the top down with parties and the other from the bottom up with grassroots organizations), we propose to compare how potential voters have been appealed to, through the use of different strategies and tools of communication”. Whether it be organizations or parties, it will be interesting to analyze how these groups either (re)connect citizens with politics or give birth to social movements which durably occupy the political landscape of the United States and the United Kingdom. Common features may be observed along with distinct approaches particularly adapted to the specificity of each country concerned.
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Nanterre
English journeys past and present, explorations of the condition of England
The conference will address the following hypothesis: the illustration of a certain way of being English, of a specific English way of inhabiting and making sense of the world, were given definition and cultural force through a series of writings which record the impressions of things seen in the course of a journey dedicated to the exploration of a territory, whether the land of England in its national extension or the more local territory of a particular community. The organizers are calling for papers which will examine a corpus of writing proposing a first-person observations of a condition of England at various moments in the history of a territory.
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Nantes
Appel à contribution - Époque contemporaine
Representations of Power and Power of the Image in British and American Contemporary Photography
Représentations du pouvoir et pouvoir de l’image dans la photographie contemporaine américaine et britannique
From the power of images to images of power, this workshop will explore the representations of power and the power of representation in contemporary American and British photography. What is photography capable of doing? Whether in the form of a public person, the environment of power (emblematic places and explicit or underlying forms) or its symbolism, what is photography capable of revealing about power itself? Political, institutional, economic or social power all depend upon a system of relations or tensions between groups or individuals (accepted, rejected, questioned, expressed visually or internalized) participating in the construction of the identity, myths or memories of the American or British nations. In what manner does photography enhance or contribute to this construction or deconstruction of the notion of identity and nation?
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Paris
Appel à contribution - Époque contemporaine
De 1968 à nos jours
Le paysage serait-il au cœur des échanges entre les artistes intéressés par la représentation de l’Irlande et le Royaume-Uni au-delà de la période 1968-1998 ? Comment les artistes, les galeristes, les institutions et les œuvres d’art contemporaines s’approprient et interrogent-ils la représentation du paysage au Royaume-Uni et en Irlande ?
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