AccueilTypesAppel à contribution

AccueilTypesAppel à contribution




  • Rennes

    Appel à contribution - Épistémologie et méthodes

    Reimagining Annotation for Multimodal Cultural Heritage

    Reimagining Annotation for Multimodal Cultural Heritage is an international conference that will be held in Rennes, France from 7th-9th February 2024. The conference looks to explore questions around digital annotation in the humanities and the GLAM sector (Galleries, Libraries, Archives, Museums) across three primary axes: tools, methods and projects. We seek to discover the extent of digital tools for the navigation of multimodal document networks, the creation of data-driven interfaces and the implementation of close and / or distant reading techniques; the epistemological questions that these tools allow to emerge and how research in the humanities is changing; and projects that make use of these tools.

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  • Appel à contribution - Représentations

    À quoi pense le jeu-vidéo

    Revue « Conserveries Mémorielles »

    Cet appel à contributions concerne un numéro de Conserveries Mémorielles, qui cherche à explorer les facettes du jeu-vidéo, en sa qualité d'objet et de médium des sciences humaines et sociales. 

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  • Brême

    Appel à contribution - Époque contemporaine

    Intersections of Art, Science, and Technology in Soviet Film and Culture

    By maintaining the tension between artists’ imaginative approaches to technology in the Soviet Union (Meyerhold’s Biomechanics), film directors’ use of science such as physiology (Eisenstein’s Expressive Movement), and scientists’ own theorization of art history (Lev Vygotsky’s The Psychology of Art), this workshop aims at unpacking the historical and political forces behind Soviet film theory, film practice, and art history in relation to science and technology. While examining the juncture between art, science, and technology in post-Revolutionary Russia, with a focus on the avant-garde period until the death of Joseph Stalin, cinema is thus considered as a device beyond its medium of film (Francois Albera, Maria Tortajada: Cinema Beyond Film) and the medium-specificity of the arts is called into question.

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