HomeTroubadour Poetry : "Lieux de mémoire"

HomeTroubadour Poetry : "Lieux de mémoire"

Troubadour Poetry : "Lieux de mémoire"

La poésie des troubadours : « Lieux de mémoire »

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Published on Friday, February 21, 2014


In keeping with the 2015 Presidential theme for the 130th MLA Annual Convention (Vancouver, BC; 8-11 January, 2015) the MLA Provençal Discussion group seeks proposals for its session devoted to troubadour poetry and 'lieux de mémoire,' or sites of memory.



Presidential themes give each convention a specific character, a focus for various topics and concerns that encourages members to converse across the lines separating our fields. I hope that Negotiating Sites of Memory will build on the accomplishments of recent conventions and prove to be as capacious and rewarding as the themes of my predecessors. The theme for the 2015 convention invites MLA members to think expansively about sites of memory that are important to their work as scholars, teachers, students, and members of an association that negotiates on behalf of humanities education and educators’ working conditions.

The phrase sites of memory has many possible meanings. Like individual and collective memories expressed in verbal and other semiotic forms, the phrase is not fully translatable: it does, however, represent and misrepresent something from the past with implications for various presents and imagined futures. The theme remembers, in particular, Pierre Nora’s provocative conception of lieux de mémoire as “meaningful entities,” both real and imagined (monuments, holidays, flags, and school textbooks are among his many examples of particularly French memory sites). But this theme exceeds and challenges Nora’s argument, and especially its version of a still prevalent and unidirectional theory of history that distinguishes sharply between modern and premodern workings of collective (and, by implication, individual) memory. As a feminist scholar who has spent most of her career studying and teaching artifacts that were initially produced in times and places retrospectively (and still debatably) named medieval, Renaissance, and early modern, I hope this theme will foster conversations among those who define and value that which is not modern according to various chronological schemes and theoretical paradigms.

Sites of memory that have been contested and that therefore call for negotiations—communicative acts involving challenge, debate, persuasion, translation, interpretation, performance of real or feigned hope, awareness of possible failure—occur in many environments. Sites of memory may of course occur in physical landscapes that have been drastically changed by time, climate, and human agency, which intertwine to make environments. Sites of memory can be lost and, sometimes, partially remembered according to the nonlinear temporalities explored in literature, art, music, and those instances of dream work that are communicated among individuals. Sites of memory occur in many media, genres, and material forms; their scales vary, as do the kinds of emotion they memorialize and engender and the negotiations for which they call. MLA members might reflect on sites of memory that can be found in (or as) manuscripts, printed books, libraries, school classrooms, universities, screen arts, performances, human and animal bodies, computers, and Web sites, including those that represent controversial public figures and colonized lands occupied by groups with competing conceptions of the past and different visions of how land should be used. Sites of memory may also be found, or made, by certain uses of verb tenses and moods, as the body of recent and multilingual speculation on the “futural past” attests.

Topics may include, but are not limited to, the following :

--How do troubadour poets negotiate memory in their poetry?

--How do troubadours respond to the past in their poetry?

--How does troubadour poetry enact, even perform, a play between memory and history?

--How do individual troubadours, or the troubadour corpus itself, function as 'lieux de mémoire' in the Middle Ages, and beyond?

--How is troubadour poetry used and performed as a site of memory today?

The 130th MLA Convention will take place in lovely Vancouver, British Columbia, Canada, from the 8-11 January, 2015.

Submission guidelines

Deadline for 250-word abstracts is March 1, 2014.

Abstracts (and papers) may be in English, French, or Italian.

Contact and inquiries to:

Michelle Bolduc, University of Wisconsin-Milwaukee mbolduc@uwm.edu

The Provençal discussion group of the MLA is charged with the evaluation of submissions.

Contact and inquiries to: Michelle Bolduc, University of Wisconsin-Milwaukee mbolduc@uwm.edu


  • Vancouver, Canada


  • Saturday, March 01, 2014


  • troubadours, poésie, lieux de mémoire, MLA


  • Michelle Bolduc
    courriel : mbolduc [at] uwm [dot] edu

Information source

  • Michelle Bolduc
    courriel : mbolduc [at] uwm [dot] edu


CC0-1.0 This announcement is licensed under the terms of Creative Commons CC0 1.0 Universal.

To cite this announcement

« Troubadour Poetry : "Lieux de mémoire" », Call for papers, Calenda, Published on Friday, February 21, 2014, https://doi.org/10.58079/ph4

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