HomeErased, Replaced, Omitted, Denied: American Art and Negation
Erased, Replaced, Omitted, Denied: American Art and Negation
Effacer, remplacer, omettre, nier. La négation dans l'art américain
Published on Tuesday, March 17, 2015
Abstract
Art historical negation removes the past in ways historical, intellectual, visual and physical, through acts which can be accidental or purposeful, political or aesthetic, personal or institutional. This conference seeks to rediscover what has been lost, forgotten or suppressed in the construction of an American art history.
Announcement
Argument
Art historical negation removes the past in ways historical, intellectual, visual and physical, through acts which can be accidental or purposeful, political or aesthetic, personal or institutional. This conference seeks to rediscover what has been lost, forgotten or suppressed in the construction of an American art history. In revealing these losses, this conference is interested in reconstructions and recoveries that challenge a unified narrative or simple chronology ; put another way, in the construction of the existing narratives, what has been removed and why? How does reintroducing these incidents affect our understanding of American art? Why have artists erased (or attempted to erase) their work or their biography? How does the obli terated or erased object have a legacy and what is added to the work in its absent state? How have institutions and museums dealt with erasures and influenced our understanding of this history?
Program
9 h 30 Café
9 h 45 Accueil et introduction par Sarah Archino (INHA ⁄ Terra),
Larisa Dryansky (INHA) et Veerle Thielemans (Terra Foundation for American Art)
10 h Première séance
Répondant : Wendy Bellion (University of Delaware), professeur invité Terra ⁄ INHA
- Gregor Stemmrich (Freie Universität, Berlin) : Robert Rauschenberg’s Erased de Kooning Drawing (1953)
- Jenevive Nykolak (University of Rochester) : Andy Warhol’s End of Painting
11 h 25 Deuxième séance
Répondant : Hélène Valance (Terra Foundation for American Art Postdoctoral Teaching Fellow, The Courtauld Institute of Art),
- Jo Applin (University of York) : Down Tools, or Lee Lozano’s Erasures
- Monica Steinberg (The Graduate Center, City University of New York) : Erasure and (Re)construction: From Judy Gerowitz to Judy Chicago
12 h 45 - 14 h 30 Déjeuner
14 h 30 Troisième séance
Répondant : François Brunet (université Paris Diderot)
- Tanya Sheehan (Colby College, Maine) : The Politics of Erasure: Writing American Art History in Black and White
- Emilie Blanc (université Rennes 2) : Exclusion ∕ Inclusion : Native American Art et musées aux États-Unis depuis les années 1970
- Elisa Capdevilla (université de Versailles Saint-Quentin-en-Yvelines) : Effacer le séjour à Paris : les réécritures biographiques des Américains expatriés à Paris dans les années 1950-1960
- Anna Markowska (Uniwersytet Wrocławski) : Erasures and obliterations in reading American art in the «most joyful barrack of the Soviet bloc»
17 h 45 Cocktail, Terra Foundation for American Art : 29, rue des Pyramides (2e étage)
Subjects
- America (Main category)
- Mind and language > Representation > History of art
Places
- Galerie Colbert - Salle Giorgio Vasari - 2, rue Vivienne
Paris, France (75002)
Date(s)
- Wednesday, April 01, 2015
Attached files
Keywords
- négation, histoire de l'art, États-Unis
Contact(s)
- Sarah Archino
courriel : sarah [dot] archino [at] inha [dot] fr
Reference Urls
Information source
- Clara Licht
courriel : clara [dot] licht [at] inha [dot] fr
License
This announcement is licensed under the terms of Creative Commons CC0 1.0 Universal.
To cite this announcement
« Erased, Replaced, Omitted, Denied: American Art and Negation », Study days, Calenda, Published on Tuesday, March 17, 2015, https://doi.org/10.58079/s8v
