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  • Paris

    Call for papers - Political studies

    Global Ethics of Compromise

    What are the normative assumptions and solutions proposed to develop morally right or wrong compromise typologies? Can we develop a universal ethics of compromise or does compromise vary depending on the socio-cultural history of a country? To what extent is culture relevant in shaping types and norms of compromise? The conference aims, firstly, to understand how to distinguish a compromise from a compromise of principles; what constitutes an ethical or fair compromise? Second, it will analyze if practices of compromise vary from one country to another. To do so, different types of compromise will be explored through geopolitical, philosophical, historical approaches, with a particular focus on Japan and Taiwan. This symposium will examine theoretical issues and practices associated with compromise, by adopting a global perspective. It will bring together contributions from European, American and Asian researchers.

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  • Paris

    Seminar - Asia

    Spatiality in Japan

    Annual seminar of the Japarchi theme network

    Le séminaire annuel « Spatialité au Japon » du réseau scientifique thématique Japarchi s’intéresse à un ensemble de notions et de dispositifs fondamentaux de la culture spatiale du Japon. Il s’inscrit dans la continuité de l’« encyclopédie ouverte » publiée en 2014 Vocabulaire de la spatialité japonaise.

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  • Call for papers - Asia

    Sinophone musical worlds and their publics

    China Perspectives / Perspectives Chinoises

    Recent success of Chinese reality television singing competitions broadcasted on national television or streamed directly on the internet, has shown the extent of musical genres represented in the Chinese world, from pop to folk via hip-hop or rock ’n’ roll. The popularity of new musical styles up to then considered as deviant as well as the recent attempts of the State to intervene directly on musical contents, tend to blur the distinctions between “mainstream” (流行) music, “popular” (民间) music as non-official, “underground” (地下) music or even “alternative” (另类) music. This call for papers aims at promoting a better understanding of the transformations of Chinese “musical worlds”, in the sense that Becker gave to “art worlds”, which stresses the role of cooperation and interactions between the different actors of the artistic sphere.

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