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  • New York

    Appel à contribution - Histoire

    Archiving Fashion Conference: Mapping Fashion Collections

    Following the “Archiving Fashion Workshop” held at The American University in Paris in June 2022, The Fashion Institute of Technology-State University of New York will host an international academic conference, “Archiving Fashion: Mapping Fashion Collections,” on November 11th, 2023 in New York City. This conference will gather scholars, researchers, archivists, librarians, faculty, students, and professionals for a one-day event (with optional second day of programming for speakers) to discuss the present and future of fashion and textiles, and related material, in archives. Papers considering the impact on access to archives and libraries during the Covid-19 pandemic and the various institutional responses to it, as well as other topics, are welcome.

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  • Ratisbonne

    Bourse, prix et emploi - Moyen Âge

    PhD Research Assistant at the University of Regensburg

    Within the project “Pre-Modern Metropolitanism”

    Opening of nine Graduate Assistant / PhD student jobs in the Research Training Network “Pre-Modern Metropolitanism” at the University of Regensburg. The Research Training Group 2337, funded by the German Research Foundation (DFG), consists of scholars from the fields of History, Art History, Legal History, Social and Economic history, Early Ecclesiastical History and Patristics, Classical Archaeology, Liturgical Studies, Romance linguistics, Political Science, English Literary and Cultural Studies, and further other associated disciplines and cooperation partners. The Research Training Group focuses on questions concerning the constitution, representation, impact, and transformation of metropolitan cities from the Greco-Roman antiquity towards the threshold of industrialization.

     

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  • Wrocław

    Appel à contribution - Histoire

    6th Public History Summer School

    The Historical Institute of the University of Wrocław, Poland (HI UWr), the Luxembourg Centre for Contemporary and Digital History at the University of Luxembourg (C2DH), Zajezdnia (Depot) History Centre, the International Federation for Public History, and the Commission for Public History of the Committee of Historical Sciences of the Polish Academy of Sciences invite students, PhD candidates and practitioners to participate in the sixth Public History Summer School

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  • Lisbonne

    Appel à contribution - Histoire

    Deciphering censorship

    From regulation to the production of invisibilities, from the archive to the Internet: an interdisciplinary approach

    We invite all parties interested in the theme of censorship to participate in the conference across any of the four axes detailed below. Nevertheless, there is an openness to other proposals that set out new paths and, hence, the framework below is in no way exhaustive: Analytical models and methodologies; Framework for the factor of international circulation; Meta-analysis; Implications of censorship.

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  • Appel à contribution - Études urbaines

    Tool box, tools for emancipation

    “Woman Journal” - Volume 2

    The Woman Journal is a periodical that focuses on notions of gender in regards to the spaces we inhabit, with an intersectional feminist perspective. The next issue’s theme is Toolbox: tools for emancipation. We love craft and do it yourself (DIY) and want the magazine to be a resource. Toolbox refers to the desire to share know-how, practices, tutorials and experiences, which we believe participate in creating community. Tools for emancipation refers to the way alternative organizations and experimentations of new societal modelsare shared and passed on.

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  • Vienne

    Colloque - Épistémologie et méthodes

    The Art Museum in the Digital Age

    The Belvedere Research Center is continuing its conference series on the digital transformation of art museums with its fifth event on the topic. While the 2022 conference challenged binary concepts such as analog/ digital, this year’s event critically examines the imagined cultural metaverse. In four thematic online sessions and an on-site workshop, the lectures deal with the immersive experiences of virtuality and reality, cultural heritage data, value discourse surrounding the metaverse and NFTs, and self-perception and the social role of museums.

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  • Le Caire

    Appel à contribution - Préhistoire et Antiquité

    Reading reuse. Image recycling in Egypt and beyond

    L’Institut français d’archéologie orientale organise un workshop sur la notion de remploi et des changements d’usage d’artefacts décorés (monuments entiers, ornements muraux, éléments mobiliers, statues, figurines, vases peints ou incisés, parures...) en contexte archéologique ou architectural. Notre intérêt académique est de rassembler des spécialistes de périodes et d’aires culturelles variées, à travers une approche comparative qui ne se limite pas à l’étude des sociétés du passé mais bénéficie également des apports de l’anthropologie culturelle.

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  • Innsbruck

    Appel à contribution - Histoire

    Limits of Europeanness? Contested Notions of Difference and Belonging (16th-21st Centuries)

    Fourteenth Annual Conference of the Research Network on the History of the Idea of Europe

    A basic tension inherent in any idea of Europe is that it links some set of “cultural values” to a geographical space on the western fringe of the Asian landmass, but at the same time allows for a significant degree of internal diversity, the boundaries of which are constantly shifting and disputed. There is ample evidence for the continuing force of visions of centre and periphery in this context, both on the territorial and metaphorical level. The variety of ways in which such topographies of cultural values have served to underpin notions of difference and belonging in the light of Europeanness are at the core of this conference. In exploring this multi-faceted field of research, we aim to bring together several disciplines ranging from history, intellectual history and art history over cultural and literary studies to musicology and anthropology.

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  • Appel à contribution - Représentations

    Picturing the Wound: Trauma in Cinema and Photography

    Arts is an international, peer-reviewed, open-access journal promoting significant research on all aspects of the visual and performing arts, published bimonthly online by MDPI. We are calling for papers for special Issue: Picturing the Wound: Trauma in Cinema and Photography.

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  • Biskra

    Appel à contribution - Langage

    The First National Conference on Language, Literature, and Culture (NCLLC)

    Todd (1987) defined literature as "language at full stretch". Stretch, here, refers to all the different practices of language by its users, and the common or even rare stylistic features of those users. Thus, a deep understanding of literature, especially the specific usages by writers and poets requires the mastery of the sentence’s internal mechanisms and beyond.

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  • Saint-Pétersbourg

    Appel à contribution - Représentations

    Beyond Russia’s Two Capitals: Regional Art Exhibitions in the Russian Empire

    Art life in the regions of the Russian Empire has often been sidelined in the larger picture of art history, and this conference aims to bring this vital material to wider attention and stimulate discussion. If the 1905 relaxing of censorship vastly increased the number of exhibitions, local societies and individuals had already established regular and highly significant exhibitions all over the Empire. We invite colleagues to illuminate and discuss exhibitions that were held in the different regions, to consider their specific features and become part of this huge — and inevitably collaborative — project. We particularly welcome papers that address exhibitions before 1905.

     

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  • Brno

    Colloque - Europe

    Inventing Past Narratives. Venice and the Adriatic Space (13th-15th centuries)

    This conference aims to explore the dialogue between Venice and the Adriatic area from a specific perspective: the construction of the past. We would like to create a dialogue between specialists from various disciplines and also examine the validity of interdisciplinary approaches at the intersection of different cultural fields: textual and visual, material, and historiographic. The chronological and geographical perspective chosen covers the late Middle Ages and the early modern age and focuses on the interaction between Venice and other centres in the Adriatic space.

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  • La Haye

    Appel à contribution - Représentations

    Women’s Role in the History of Nineteenth-Century Art Revisited

    ESNA Conference 2023: Beyond “The Obstacle Race”

    The European Society for Nineteenth-Century Art (ESNA) organizes its annual conference. Rephrasing John Donne’s famous poem, “No man or woman is an island entire of itself”, the conference will investigate women’s interrelations within the art world and their impact on art objects and art collections.

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  • Reims

    Appel à contribution - Représentations

    Retrophilia, Nostalgia, and the End of Pop Culture

    The purpose of this publication is to question and re-evaluate Simon Reynold’s 2011 statement that “We live in a pop age gone loco for retro and crazy for commemoration. […] Could it be that the greatest danger to the future of our music culture is … its past?” One decade after Reynolds’s thought-provoking analysis, one may wonder whether this assumption is still relevant today. Can it be extended to other objects of pop culture (films, series, music, video-games, tatoo art, etc.)? In the Post-pandemic age, is pop culture still fixated on its (and our) past? Is this “addiction” to the past a regressive trend or, on the contrary, an opportunity to reassess modern history and re-evaluate its legacy and its representation in popular mass media? In terms of forms and formats, can something “radically new” emerge from nostalgia?

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  • Pékin

    Appel à contribution - Représentations

    Studies on Semiotics of Art

    “Arts” journal

    Semiotics theory provides a framework for understanding how humans use signs to create meaning associated with the world around them. An important assumption of semiotics theory is that signs do not convey a meaning that is inherent to the entity being represented. Semiotic analysis identifies some of the factors involved in the process of sign making and interpreting, and it develops conceptual tools that help us to grasp that process as it goes on in various areas of cultural activity. One such area is the semiotics of art. Semiotic analysis acknowledges the position, or role, of the individual in terms of a challenge to any notion of fixed or unitary or universal meaning of a work of art.

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  • Liverpool

    Appel à contribution - Langage

    “To sleep, perchance to dream”: Dreamscapes in Shakespearean Plays and Adaptations

    After falling asleep, a whole new world awaits. Sleep enables dreamers to get access to an imaginary location usually set up by their own mind more or less consciously. This is a call for papers for a research seminar on “Dreamscapes in Shakespearean Plays and Adaptations” for the British Shakespeare Association (BSA) 2023 Conference in Liverpool (25-28th July 2023).

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  • Bruxelles

    Journée d'étude - Histoire

    Artists, Agents and Patrons from the Low Countries in the Iberian World

    The Royal Institute for Cultural Heritage (KIK-IRPA) is organising a study day which aim is to further clarify our understanding of the artistic exchanges and influences that took place between the Low Countries and the Iberian world during the period 1400-1715. The study day will bring together international researchers from academic and scientific institutions in France, Poland, Spain and Belgium. The meeting will complement and nuance the traditional accounts of the artistic relations between the two territories, highlighting the complexity of the global interactions and exchanges that linked the Iberian world and the Low Countries to each other, but also to Europe and the rest of the world.

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  • Saint-Denis

    Appel à contribution - Histoire

    Magnats, entremetteurs et contrebandiers : les distributeurs de films et leurs réseaux au XXe siècle

    Moguls, Go-betweens and Smugglers: Film Distributors and their Networks in the Twentieth Century

    This workshop aims at revisiting the history of film importers/exporters and distributors throughout the 20th century by examining the social inscription of their trade. Moguls, go-betweens and/or smugglers, film traders were main actors in determining the value of films, building film markets, bringing out audiences by giving them (or not) access to the films. Yet, the history of cinema has long ignored the figure of the distributor, too bland to obscure the ethereal figure of the author, too close to the limelight to interest those, less numerous, researching “those wonderful people out there in the dark,” the audience. This workshop seeks to reconstruct the diversity of networks these businessmen/women used to maintain, how they positioned themselves in relation to their peers, remembering that many distributors also acted as exhibitors and producers.

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  • Florence

    Appel à contribution - Représentations

    The Project of History – Histories of Projects

    Architects / Historians in Post-war Italy

    The multifaceted and nuanced relationship between history and design has marked late twentieth-century Italian architectural culture, and have been its most distinct characteristic on the international scene. This conference aims to explore the exchanges, tangencies, overlaps and frictions between designers – of the architectural object as much as of the city and the territory – and architectural historians in the cultural, political, economic, and social context of Italy in the second half of the 20th century. Intended to discuss the specific contributions of individual figures, moments, and sites of exchange, it invites studies based on archival research that are also open to questioning the broader historical, cultural, and disciplinary conditions that shaped dialogues between architects and historians in post-war Italy.

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  • Fribourg

    Colloque - Europe

    (D’) Après nature

    Aesthetics & Critique, V

    Pendant des siècles, les artistes se sont employés à peindre d’après nature. Que reste-t-il de ce projet esthétique dans un monde où la nature se révèle comme étant déjà intégralement « anthropisée » ? Que reste-t-il de la nature, lorsque celle-ci a perdu le statut de Grand Dehors ? Face à l’urgence climatique, d’autres politiques – mais aussi : esthétiques – de la nature sont nécessaires. Comment concevoir une nature qui n’est plus située au-delà de nous, mais qui nous traverse ? Comment penser, en retour, une nature déjà traversée par la récursivité, bref : par la technique ? Car la nature après la nature n’est peut-être rien d’autre que cela : une nature qui se découvre comme ayant toujours été nature seconde. Une nature en tant qu’art.

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