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  • Lisbon

    Call for papers - Language

    The Medieval Chronicle

    VIII International Conference

    The Medieval Chronicle Society is an international and interdisciplinary organisation founded to facilitate the work of scholars interested in medieval chronicles, or more generally medieval historiography. The VIII International Conference of The Medieval Chronicle aims at providing a meeting point for scholars who work on different aspects of the medieval chronicle (historical, literary, art-historical) to announce new findings and projects, present new methodologies, and discuss the prospects for collaborative research.

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  • Batalha

    Call for papers - History

    Loci Sepulcralis

    Pantheons and other places of memory and burial in the Middle Ages

    This International conference will be devoted to Medieval Pantheons. The main aim is to promote a broad and innovative debate on the concept of “pantheon” throughout the Middle Ages, as well as their underlying intentions. It is also intended to address the specificity of themes that are intertwined with the construction, ornamentation and everyday uses of these spaces by the communities that host them.

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  • Lisbon

    Scholarship, prize and job offer - History

    Bolsa de Investigação para Licenciado/a no âmbito do projecto OECONOMIA STUDII

    Encontra-se aberto concurso para a atribuição de uma Bolsa de Investigação para Licenciado/a (BI - Lic.) no âmbito do projecto OECONOMIA STUDII. Financiamento, gestão e recursos da universidade em Portugal: uma análise comparativa (séculos XIII-XVI) (PTDC/EPHHIS/3154/2014), financiado por fundos nacionais através da FCT/MCTES (PIDDAC). 

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  • Lisbon

    Study days - Middle Ages

    The study of manufactured objects in medieval archaeology and the study of illuminated manuscripts

    Methodologies compared

    O objetivo deste workshop é comparar, por meio da análise de alguns casos específicos, os métodos científicos utilizados no estudo dos manuscritos iluminados (história da arte) e dos artefactos encontrados no âmbito da arqueologia medieval. Em ambas as áreas os contextos de criação e utilização dos objectos são fundamentais para a sua caracterização e compreensão. A partir de casos específicos tentar-se-á traçar semelhanças e diferenças nos métodos de análise que caracterizam as duas disciplinas históricas. Deste modo pretende-se compreender em que medida é possível adaptar e aplicar metodologias diversas de modo a obter um conhecimento mais profundo do objecto e do seu contexto.

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  • Lisbon

    Seminar - History

    Images and Liturgy in Portugal in the Middle Age

    The seminar Images and Liturgy in Portugal in the Middle Age, organized by the CEAACP Multidisciplinary Group Study in Arts (University of Coimbra), in partnership with the Association of Portuguese Archaeologists / Carmo Archaeological Museum, is part of the set of project initiatives of Carla Varela Fernandes’ Postdoc (Sculptures of the thirteenth and fourteenth centuries in collections of Portuguese museums. An imperative approach to a broader knowledge of the scientific reality). It aims the presentation and discussion of recent studies and reflections on works of Romanic and Gothic art existing in Portugal. It is intended to address the medieval images as part of the liturgical rituals and the buildings they were designed for. On the other hand, we’ll try to provide advances in the knowledge on the means as an iconographic innovation or aesthetic generated at a given location "moves" and appears in other geographies, serving similar purposes.

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  • Lisbon

    Seminar - Middle Ages

    Ideias em movimento

    Seminário de estudo sobre as circulações artísticas, sociais e culturais na Baixa Idade Média (sécs. XIII-XV)

    O Seminário de estudo é organizado pelo grupo de investigação “Construir a História” em colaboração com o grupo de investigação “Imagens e textos medievais” e tem como objetivo debater os movimentos de pessoas, produtos e padrões culturais, artísticos e religiosos nos séculos entre XIII e XV tanto do ponto de vista histórico-religioso como artístico.

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