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  • Appel à contribution - Études des sciences

    Art, aesthetics, psychoanalysis

    Artefilosofia Journal

    The first question that comes to mind when addressing the relationship between art and psychoanalysis is the following: By what right and on what grounds, or yet what entitles psychoanalysis to take upon itself to issue judgment upon art and/or upon artists? This first question immediately unfolds into many. To what extent can a theory of the psychological unconscious extrapolate its primary field of application to head down to theaters, museums, concert rooms, canvases, sculptures, installations and so forth? Being an eminently clinical discipline, do we run the risk of transforming psychoanalysis into a worldview? Into a totalitarian system capable of deciphering the meaning of everything that presents itself upon the suspicious gaze and attentive ears of the psychoanalyst?

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