HomeThe Image on the Page
The Image on the Page
L’image mise en page
A Study Day Around Illustrated Print Culture
Journée d’étude sur la culture de l’imprimé illustré
Published on Wednesday, May 17, 2023
Abstract
This study day aims to gather researchers around the subject of the printed image since the 1880s. With particular attention to material bibliography and production techniques, we seek to better understand how illustrations contribute to the formation of meaning and discourses within different contexts from illustrated newspapers to etiquette manuals, from scientific journals to children’s books.
Announcement
Argument
With particular attention to material bibliography and production techniques, we seek to better understand how illustrations contribute to the formation of meaning and discourses within different contexts from illustrated newspapers to etiquette manuals, from scientific journals to children’s books. As literacy levels continued to rise throughout the twentieth century, this vast array of publications was directed at increasingly diverse communities of readers whose expectations and needs influenced the development of visual culture in print. In turn, the intimate relationships that played out between image and text significantly shaped people’s impressions of the world around them by collating all manner of leisurely, professional, and political information within the space of the page.
Straddling the disciplines of literary studies, art history, bibliography, and library sciences, the field of illustrated print culture is a privileged inroad to social history. We are inspired by the foundational work of Richard Benson’s The Printed Picture (MoMA, 2008) as well as recent scholarly interest in vernacular media, such as Sarah Mirseyedi and Gerry Beegan’s important contributions on the development of photomechanical reproduction and the Thierry Gervais-edited volume The “Public” Life of Photographs (The MIT Press, 2016).
Participating
Heeding the call of rare books specialist Roger Gaskell, who has identified the need to develop a “bibliography of images,” we invite contributions in French and English that address any aspect of mass-produced visual materials as well as the diverse industrial or manual processes that enabled their production.
Proposals may consider topics such as:
- The development, usage, or impact of various print processes.
- The importance of the graphic arts, including layout and typography, in the study ofvisual culture.
- The historical significance of a given book, magazine, or other kind of illustratedpublication.• Mass-produced works that rely on printed pictorial sequences such as photobooks, comicstrips, or photo-novels.
- Posters, flyers, postcards and other kinds of ephemera.
- The invisible intermediaries: designers, prepress specialists, printers, typographers, etc.
- The evolving roles and statuses of author and illustrator/artist.
- Readership and reception.
- Distribution and publishing networks.
- The study of variants in the context of printed pictorial material: seriality, differenteditions, and the (ir)relevance of the original image.
- Approaches to the rapport between text and image in print and their resultant meaning.
- The creation and mass-circulation of stereotypes or other visual tropes.
- Theoretical or methodological approaches to multimedia artefacts: how to categorize,characterize and interpret hybrid print objects.
- The institutional challenges faced by scholars, libraries, and archives alike in collecting,cataloguing, preserving, and making illustrated print culture accessible.
The event will be held in-person at the Concordia University Library, Montréal (Québec), Canada, Friday 13 October 2023.
Proposals for 20 minute papers can be sent
to stephanie.hornstein@concordia.ca
before 15 July 2023.
They should include a title followed by an abstract (200 words max.) and a short biography (100 words max.).
Organizing committee
- Stéphanie Hornstein, PhD candidate, Department of Art History, Concordia University and Concordia Library’s Researcher-in-Residence 2022-2023.
- Michel Hardy-Vallée, PhD (art history), Visiting scholar, Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art, Concordia University.
Subjects
- Representation (Main category)
- Mind and language > Representation > Cultural history
- Mind and language > Representation > History of art
- Mind and language > Information > History and sociology of the book
- Mind and language > Information > History and sociology of the press
- Mind and language > Representation > Visual studies
- Mind and language > Information > History and sociology of the media
- Society > History > Social history
Places
- Bibliothèque Webster - 1400 Boul. de Maisonneuve O.
Montreal, Canada (H3G 1M8)
Event attendance modalities
Full on-site event
Date(s)
- Saturday, July 15, 2023
Attached files
Keywords
- histoire du livre, histoire de l'imprimé, bibliographie, mass media, culture visuelle, impression, arts graphiques, journée d'étude, appel à contribution, montréal, canada, images, photographie
Contact(s)
- Michel Hardy-Vallée
courriel : michel [dot] hardy-vallee [at] mail [dot] concordia [dot] ca - Stéphanie Hornstein
courriel : stephanie [dot] hornstein [at] concordia [dot] ca
Reference Urls
Information source
- Michel Hardy-Vallée
courriel : michel [dot] hardy-vallee [at] mail [dot] concordia [dot] ca
License
This announcement is licensed under the terms of Creative Commons - Attribution 4.0 International - CC BY 4.0 .
To cite this announcement
Stéphanie Hornstein, Michel Hardy-Vallée, « The Image on the Page », Call for papers, Calenda, Published on Wednesday, May 17, 2023, https://doi.org/10.58079/1b5y
