“Num’rous uses, motions, charms, and arts”. Fans as images, accessories, and instruments of gesture in the 17th and 18th centuries
« Num’rous uses, motions, charms, and arts ». L’éventail : image, accessoire et outil gestuel du XVIIe au XVIIIe siècles
Published on Tuesday, June 13, 2017
Abstract
This interdisciplinary conference discusses the cultural role of fans in art, fashion, and material culture in the seventeenth and eighteenth centuries. Taking the visual and material diversity of fans as a point of departure, it aims at gaining new insights into the various interrelations between fans, paintings, and printed artworks in this period.
Announcement
Argument
This interdisciplinary conference discusses the cultural role of fans in art, fashion, and material culture in the seventeenth and eighteenth centuries. Taking the visual and material diversity of fans as a point of departure, it aims at gaining new insights into the various interrelations between fans, paintings, and printed artworks in this period.
The conference takes painted and printed folding fans as its main focus in order to take a closer view of the pictorial and intermedial interplay of ornamental patterns, figurative elements, and artistic subject matters. From the late seventeenth century onwards, fan depictions were often inspired by or based on Renaissance and contemporary paintings. In the course of the eighteenth century, fan leaves displayed an increasing variety of cultural themes, thereby also functioning as souvenirs as well as conveyors of political and social messages.
Furthermore, the conference seeks to examine fans as gender-specific instruments of gesture and communication. In eighteenth-century Europe, fans became important fashion accessories across the social classes and were almost omnipresent in social interaction. In 1711, Joseph Addison, satirizing social etiquette, describes fans as “modish machines” and powerful “weapons” of their female owners. Later visual and written sources enhanced this attribution of meaning, particularly emphasizing the fan’s expressive movements of opening and closing, of displaying and not displaying, which could hide their owners’ faces while at the same time rendering visible their emotions. On the other hand, painted and printed fans presented a wide variety of social knowledge in fast and fleeting pictures, in this way conveying personal statements of those who carried them.
The conference aims to bring together different perspectives on the cultural importance of fans in order to consider issues such as their production, their material qualities, the visual elements and subject matters in fan painting, as well as the various social uses and the reception of fans in art and literature. We invite discussions of both individual fans as well as visual and written sources which reveal the cultural role of the fan in the seventeenth and eighteenth centuries.
Possible topics may include, but are not limited to:
- painted and printed fans as conveyors of (political and cultural) information
- fans as souvenirs and conveyors of memory
- the reception of artworks in fan depictions
- fans as/within the context of fashion accessories, dress norms and gender-specific body cultures
- fans in cultures of communication and cultures of feeling
- fans in the visual arts (portraits, genre painting, caricatures, etc.) and in literature
- the manufacture and (global) trade of fans
- case studies in the conservation and restoration of fans
Modalités de soumission
This call addresses art historians, fashion historians and researchers from related disciplines.
Please send your proposal (max. 300 words, in English, German or French), for a paper (20 minutes), a short CV and a short list of keywords (max 6)
no later than June 30, 2017
to Dr Miriam Volmert (miriam.volmert@khist.uzh.ch) and lic. phil. Danijela Bucher (danijela.bucher@uzh.ch).
Notification of authors: July 7, 2017.
Travel reimbursement depends on the availability of funds.
Coordinators
- Miriam Volmert, Dr. Historienne de l’art, Wissenschaftliche Assistentin Universität Zürich (Kunsthistorisches Institut) miriam.volmert@khist.uzh.ch
- Danijela Bucher, lic phil Doctorante en géographie et histoire de l’art, inscrite en cotutelle de thèse à l’Université d’Angers (UMR ESO) et l’Universität Zürich (Kunsthistorisches Institut) danijela.bucher@uzh.ch
Subjects
- Representation (Main category)
- Mind and language > Representation > Cultural history
- Mind and language > Representation > History of art
- Periods > Early modern > Seventeenth century
- Periods > Early modern > Eighteenth century
- Mind and language > Representation > Visual studies
- Zones and regions > Europe
- Mind and language > Representation > Cultural identities
Places
- Institut d’histoire de l’art, Université de Zurich
Zurich, Switzerland
Date(s)
- Friday, June 30, 2017
Contact(s)
- danijela bucher
courriel : danijela [dot] bucher [at] uzh [dot] ch - Miriam Volmert
courriel : miriam [dot] volmert [at] khist [dot] uzh [dot] ch
Information source
- danijela bucher
courriel : danijela [dot] bucher [at] uzh [dot] ch
License
This announcement is licensed under the terms of Creative Commons CC0 1.0 Universal.
To cite this announcement
« “Num’rous uses, motions, charms, and arts”. Fans as images, accessories, and instruments of gesture in the 17th and 18th centuries », Call for papers, Calenda, Published on Tuesday, June 13, 2017, https://doi.org/10.58079/xuo
