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Reading and Narrating Post-Slavery

Lire et narrer le post-esclavage

Revue « Esclavages et post-esclavages / Slaveries and post-slaveries »

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Published on Monday, March 18, 2019

Abstract

The term ‘post-slavery’ has come into vogue as a catch-all for the complex timeline following the presumed abolition of slavery. In this special issue we wish to explore and question the concept through a focus on both visual and textual narratives of the afterlives of slavery, e.g. in literature, online (activist) platforms, human rights documentation, news-paper articles, pamphlets, films and theatre plays. We welcome both historical contributions on narratives of slavery following the abolition of slavery, as well as contributions demonstrating how past and present narratives have been used over time or are being used today.

Announcement

Special issue “Reading and Narrating Post-Slavery” (no. 4, April 2021)

Editors

  • Lotte Pelckmans (université de Copenhague)
  • Mads Anders Baggesgaard(université d’Aarhus, Danemark)

Argument

The term ‘post-slavery’ has come into vogue as a catch-all for the complex timeline following the presumed abolition of slavery. In this special issue we wish to explore and question the concept through a focus on both visual and textual narratives of the afterlives of slavery, e.g. in literature, online (activist) platforms, human rights documentation, news-paper articles, pamphlets, films and theatre plays. We welcome both historical contributions on narratives of slavery following the abolition of slavery, as well as contributions demonstrating how past and present narratives have been used over time or are being used today.

Much like the term post-colonial, post-slavery is often not only used to analytically distinguish between the temporal rupture before and after (=post) slavery, but it also came to represent a critical, normative and moral rupture, which exposes ‘the continuing legaciesof a state of affairs that should have ended’ (Rossi 2015), which is arguably ‘neo-abolitionistin intent.’ This unilinear, neo-abolitionist bias reinforces representations in which the temporal rupture from slavery to post-slavery is universally desirable and possible, and thereby risks to analytically turn a blind eye to the contemporary coevalness (Fabian 1990) of slavery and post-slavery. This becomes especially apparent in societies where the colonial abolition of slavery and/or international anti-slavery interventions have been and often continue to be seen as undesirable, romantic, exotic or even instrumental paternalistic projects from outside, mingling with and imposed on regional (e.g. West African) power balances.

In order to generate more room for the coexistence of both the fragmented and normativerepresentations of (post-) slavery, this special issue calls for contributions exposing the polyphony, or even cacophony in historical or contemporary post-slavery narratives around the world. We explicitly invite contributions that draw attention to voices from the ‘Global South Atlantic’ (Bystrom & Slaughter 2018) supplementing the already very visible European and North American slavery and neoslave narratives.

We invite contributions that engage with

  • The understanding and theorization of the contemporary historiography of slavery in relation to (visual) narrative and literature including the topics of post-slavery, re-memory, and neo-slave narratives.
  • Literary and/or visual narrative reflections on contemporary and late-modern forms of slavery (indentured labour, human trafficking, refugee deportation, etc.) and their relationship to imperial and traditional forms of slavery, e.g. in Asia.
  • Texts or visuals that deal with the histories of different forms of slavery and their relationship with processes of abolition, e.g. in African societies.
  • The different historical uses of the memory of slavery in e.g. Caribbean and Latin American societies, images and literatures after abolition.
  • The use of (legal) archives, texts, visuals and databases in claims for reparations as a form of narrative and discursive genre (and modern practice) shaping (and reinforcing) ideas of post-slavery.
  • Testimonies from a variety of slavery-like conditions in post-slavery societies ranging from racial exclusion, indentured labour to human trafficking and xenophobia in e.g. Europe.
  • The impact and/or (un-)intended consequences and genres resulting from a global human rights-isation and humanitarian-isation of neo/(post-)slave narratives
  • The literary and /or visual implications of perhaps less studied post-slavery or (neo-)slave narratives: Muslim slave narratives, female slave narratives, white versus black post-slave narratives, child slave narratives, etc.
  • Narratives that move away from imperialist, essentialist representations/ topoi of the post-slave subject, e.g. in alternative ideological traditions such as afrofuturism, communism, orthodox Islam, etc.

Terms of submission

Authors should submit an abstract (in French, English, Spanish, or Portuguese), resulting from unpublished research

by September 15th, 2019,

through ciresc.redaction@cnrs.fr. Submissions must respect the publication guidelines available in www.esclavages.cnrs.fr/spip.php?article779.

Editorial team of the journal

Editors in chief

  • Myriam Cottias (CNRS) & Céline Flory (CNRS)

Editorial Committee

  • António de Almeida Mendes (université de Nantes)
  • Cédric Audebert (CNRS)
  • Magali Bessone (université Paris I Panthéon-Sorbonne)
  • Gaetano Ciarcia (CNRS)
  • Elisabeth Cunin (IRD)
  • Ary Gordien (université Paris 8)
  • Martha Jones (Johns Hopkins University)
  • Jean-Pierre Le Glaunec (université de Sherbrooke)
  • Beatriz Mamigonian (Universidade Federal de Santa Catarina)
  • Hebe Mattos (Universidade Federal de Juiz de Fora)
  • Jean-Christophe Monferran (CNRS)
  • Lotte Pelckmans (université de Copenhague)
  • Dominique Rogers (université des Antilles)
  • Anna Seiderer (université Paris 8 Vincennes-Saint-Denis)
  • Alessandro Stanziani (CNRS / EHESS)
  • Ibrahima Thioub (université Cheikh Anta Diop de Dakar)

International Committee

  • Ana Lucia Araujo (université d’Howard, EU)
  • Mads Anders Baggesgaard (université d’Aarhus, Danemark)
  • Gwyn Campbell (Mac Gill University, Montréal, Canada)
  • Mariana Candido (University of Notre-Dame, EU)
  • Catherine Coquery-Vidrovitch (université Paris 7 Denis-Diderot)
  • Madeleine Dobie (Columbia University, EU)
  • Roquinaldo Ferreira (Brown University, EU)
  • Alejandro de la Fuente (Harvard University, EU)
  • Chouki El Hamed University of Arizona, EU)
  • Aline Helg (université de Genève, Suisse)
  • Paulin J. Hountondji (université d’Abomey-Calavi, Bénin)
  • Martin Klein (University of Toronto, Canada)Jane Landers (Vanderbilt University, EU)
  • Paul Lovejoy (York University, Canada)
  • Joel Quirk (université de Witwatersrand, Afrique du Sud)
  • Benedetta Rossi (University of Birmingham, Grande-Bretagne)
  • Dale Tomich (University of Binghamton, EU)
  • Michael Zeuske (université de Leipzig, Allemagne)

Editorial Secretary

  • Chloé Beaucamp (CNRS)

To find out more about the journal

References

  • Rossi, B., “African Post-Slavery: A History of the Future”, International Journal of African Historical Studies, no. 48/2, 2015, pp. 303-325.
  • Bystrom, K. & J.R. Slaughter (eds.), The Global South Atlantic, New York, Fordham University Press, 2018.
  • Fabian, J., Time and the Other: How Anthropology Makes Its Object, New York, Columbia University Press, 1990.
  • Sharpe, C., Monstrous Intimacies: Making Post-Slavery Subjects, Durham, NC, Duke UniversityPress, 2011.

Places

  • Paris, France (75)

Date(s)

  • Sunday, September 15, 2019

Attached files

Keywords

  • post-esclavage, abolition, néo-abolitionnisme, récit, narration, représentation

Contact(s)

  • Chloé Beaucamp
    courriel : slaveries-musiques [at] groupes [dot] renater [dot] fr

Reference Urls

Information source

  • Chloé Beaucamp
    courriel : slaveries-musiques [at] groupes [dot] renater [dot] fr

License

CC0-1.0 This announcement is licensed under the terms of Creative Commons CC0 1.0 Universal.

To cite this announcement

« Reading and Narrating Post-Slavery », Call for papers, Calenda, Published on Monday, March 18, 2019, https://doi.org/10.58079/128u

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