In Japan, characters now invade social networks up to the point where a whole industry of character-camouflage is prompting millions of web users to merge with videogames-like creatures. How can we understand this phenomenon? What social changes does it contribute to shape and to mirror?During the course of an international workshop, researchers from various disciplines are invited to share their experiences and outcomes concerning this phenomenon, which has been stamped kyara-ka, “transforming into a character” (Aihara Hiroyuki, 2007). It is now giving birth to what Nozawa Shunsuke (2013) calls “an emerging art of self–fashioning”. Based on elaborate techniques of disguises, the kyara-ka phenomenon covers a variety of communication strategies and practices. Exploring all the aspects of this “thingification of humans”, the workshop will reflect on how and why a growing number of people market themselves as characters.

Au Japon, à l’aide de logiciels qui permettent de se camoufler en personnage, les internautes se présentent maintenant sur la toile sous les allures de créatures sorties tout droit de jeux vidéo. Comment comprendre cet effet de tropisme ? De quelles évolutions sociales se fait-il à la fois l’agent et le miroir ? Ce colloque international invite les chercheurs à partager leurs expériences et leurs résultats de terrain au Japon (mais aussi en Corée ou sur des terrains similaires) concernant ce phénomène estampillé kyara-ka – « se transformer en personnage » (Aihara Hiroyuki, 2007) – et qui donne naissance à ce que Nozawa Shunsuke (2013) nomme « un art émergent de l’auto-modélisation ».

Online organization

A live streaming event

Saturday 27 and Sunday 28, starting at 12:00 p.m. (noon, CEST time), pre-recorded videos of each presentation in English (and with subtitles in English) will be streamed online, one after another, following the schedule, in order to foster the excitement of a real-time event. Connect here to attend the event: YouTube Desired Identities (https://tinyurl.com/ydgwtg2k). Or on the museum website:  http://www.quaibranly.fr 

Online meetings in public chat-rooms

At the end of each panel, the lecturers will log-in online for question and answer sessions in a public chat-room. To attend the chat meetings, attendees are requested to register (for free) on this anonymous Google form: https://ti-nyurl.com/y8yxjff6  After registering, attendees will receive invitations to join the lecturers and share 20 minutes of discussion.  For those who won’t be able to register, just click on the url indicated in the Program and connect directly to each Chat Meeting. 

A fully recorded conference

For those who won’t be able to attend the LiveStreaming event, no worry: after being streamed, each video will automatically be put online, in free access, on the YouTube channel of the musée du quai Branly - Jacques Chirac and on the museum website: http://www.quaibranly.fr However, during the LiveStreaming, two art videos will become public, never to be seen again.  Also, during the LiveStreaming, attendees will be able to meet through the YouTube ChatBox and post comments in real time. The comments will disappear automatically at the end of each presentation, thus making the LiveStreaming event more lively: we want it to be a shared experience of exchanges through different time zones.

Program

Digital International Conference organized by the ERC-Funded Research Project “Emotional Machines: The Technological Transformation of Intimacy in Japan” (EMTECH) in cooperation with the Department of Research and Higher Education of the musée du quai Branly – Jacques Chirac

Saturday 27 June 2020

12:00–17:20  Live on the YouTube Channel of musée du quai Branly – Jacques Chirac

• 12:00-12:10  Philippe CHARLIER (Department of Research and Higher Education of musée du quai Branly-Jacques Chirac, France) Welcome Speech – “How to Make Love with a Ghost?”
• 12:10–12:20  Liudmila BREDIKHINA & Agnès GIARD: Can’t Stop “Me” Anymore (short film, 2020) 
• 12:20–12:30 Superflux (Anab JAIN & Jon ARDERN): Trigger Warning (short film, 2018)
• 12:30–13:10  Dominique BOULLIER - Keynote (Sciences Po, CEE, France): “Extension of the Domain of Fake”
• 13:10–13:30 Chat Meeting (20 mn) 
• 13:30–14:00  Lunch Break (30 mn)

Panel: High-tech and kyara-ka

• 14:00–14:30 Akihiko SHIRAI (GREE VR Studio Lab, Japan): “Research and Development for Avatar-Driven Virtual Society in VR4.0 Era”
• 14:30–15:00 Patrick W. GALBRAITH (Senshū University, Japan): “Character, Culture, Platform: Locating Emotional Technology in Contemporary Japan”
• 15:00–15:20 Chat Meeting (20 mn) 
• 15:20–16:00 Coffee Break (40 mn)

Panel: Avatars and Self-Presentation

• 16:00–16:30  Alain DELLA NEGRA & Kaori KINOSHITA Spotting “Tsuma” (short film, 2019)
• 16:30–17:00  Agnès GIARD (Freie Universität Berlin, EMTECH, Germany): “Becoming an Avatar in a Japanese Love Game: Female Identity and Desired Alienation”
• 17:00–17:20  Chat Meeting (20 mn)  

Sunday 28 June 2020  

12:00–17:20   Live on the YouTube Channel of musée du quai Branly – Jacques Chirac 

Panel: Kyara-ka and Embodiment

• 12:00–12:30  Shunsuke NOZAWA (Hokkaido University, Japan): “The Seiyūesque: the Layering of Agency and the Labor of Characterization”
• 12:30–13:00 Debra J. OCCHI (Miyazaki International College, Japan): “Kyara-ka Characterizations, Technologies, and Tensions of Embodiment for Local Tokusatsu Action Heroes in Miyazaki’s Himukaizer Media Mix”
• 13:00–13:20 Chat Meeting (20 mn)
• 13:20–14:00 Lunch Break (40 mn)

Panel: VirtualTuber and Visual Transgendering

• 14:00–14:30  Edmond ERNEST DIT ALBAN (McGill University, Canada): “Kyara-ka as a Queering Process? From Queer Animation to Online VTubers Personas”
• 14:30–14:45  Lou RAMBERT PREISS Les Zumains / DOLLER (short film, 2017)
• 14:45–15:15  HOLOGRAPHIC (VTubers, Tōkyō University & Institute of Advanced Media Arts and Sciences, Japan): “The Babiniku Phenomenon in Japan: when Men Metamorphose into Bishōjo Characters”
• 15:15–15:35  Chat Meeting (20 mn) 
• 15:35–16:00  Coffee Break (25 mn)

Panel: Hatsune Miku and Vocaloid Metamorphoses

• 16:00–16:30 Rafal ZABOROWSKI (King’s College London, United Kingdom): “Virtually Authentic: Co-creating Hatsune Miku”
• 16:30–17:00 Cody POULTON (University of Victoria, Canada): “Performative Metamorphoses: Hatsune Miku and 3.5 Dimension Culture”
• 17:00–17:20  Chat Meeting (20 mn)

Organizers

Conference Organized by:  

• Elena Giannoulis
• Agnès Giard
• Berthold Frommann

Coordination by: 

• Anna Gianotti-Laban, Coordination manager of scientific events, musée du quai Branly – Jacques Chirac. Email: anna.gianotti-laban@quaibranly.fr 
• Liudmila Bredikhina, EMTECH

Language: English 

Contact: All questions should be emailed to agnes.giard@fu-berlin.de

Links

https://www.geschkult.fu-berlin.de/emtech

http://www.quaibranly.fr

Organisation en ligne

En raison de la pandémie du Covid-19, le colloque international “Desired Identities. New Technology-based Metamorphosis in Japan” (qui devait avoir lieu les 29 et 30 avril), aura lieu en LIVE STREAMING sur la Chaine YouTube du musée du quai Branly-Jacques Chirac. Ce colloque abordera le phénomène “kyara-ka” (transformation en personnage fictif) ainsi que les stratégies et pratiques numériques liées à la présentation de soi : avatar, vocaloid, e-cosplay, VTubing...

Le colloque se déroulera en ligne les samedi 27 et dimanche 28 juin 2020 : deux jours pendant lesquels, entre midi et 17h20 (heure de Paris, CST), les internautes pourront voir les présentations sous la forme de vidéos (30 mn) entrecoupées de pauses, de court-métrages inédits et de rendez-vous avec les chercheurs pour poser des questions dans un espace de rencontre dédié.

Les vidéos seront diffusées les unes après les autres suivant un programme précis (ci-dessous et en PDF), ce qui permettra aux internautes d'assister à la conférence de leur choix, d'échanger des salutations et de poster des commentaires en direct sur la chat-box de YouTube. Pour ceux et celles qui ne seraient pas libre au moment de la diffusion en LiveStreaming, pas d’inquiétude : une fois diffusée en (faux) direct, chaque vidéo sera automatiquement installée sur la chaine YouTube du musée du quai Branly – Jacques Chirac, en libre accès pendant plusieurs mois. En revanche, les vidéos d’art ne seront diffusées qu’une seule et unique fois, pendant le LiveStreaming.

Chaque Panel disposera d’un espace de rencontre pour que les conférenciers puissent répondre aux questions, pendant 20 minutes.  Vous pouvez vous inscrire dès maintenant sur ce formulaire anonyme Google afin de recevoir une invitation correspondant aux rencontres de votre choix. Les personnes n’ayant pas le temps de s’inscrire pourront directement cliquer sur l’adresse indiquée dans le programme : il leur faudra alors s’inscrire sur Webex, le logiciel de vidéo-rencontre en ligne utilisé pour le colloque.

Programme

Samedi 27 Juin 2020

12:00–17:20  Live on the YouTube Channel of musée du quai Branly – Jacques Chirac

• 12:00-12:10  Philippe CHARLIER (Department of Research and Higher Education of musée du quai Branly-Jacques Chirac, France) Welcome Speech – “How to Make Love with a Ghost?”
• 12:10–12:20  Liudmila BREDIKHINA & Agnès GIARD: Can’t Stop “Me” Anymore (short film, 2020) 
• 12:20–12:30 Superflux (Anab JAIN & Jon ARDERN): Trigger Warning (short film, 2018)
• 12:30–13:10  Dominique BOULLIER - Keynote (Sciences Po, CEE, France): “Extension of the Domain of Fake”
• 13:10–13:30 Chat Meeting (20 mn) 
• 13:30–14:00  Lunch Break (30 mn)

Panel: High-tech and kyara-ka

• 14:00–14:30 Akihiko SHIRAI (GREE VR Studio Lab, Japan): “Research and Development for Avatar-Driven Virtual Society in VR4.0 Era”
• 14:30–15:00 Patrick W. GALBRAITH (Senshū University, Japan): “Character, Culture, Platform: Locating Emotional Technology in Contemporary Japan”
• 15:00–15:20 Chat Meeting (20 mn) 
• 15:20–16:00 Coffee Break (40 mn)

Panel: Avatars and Self-Presentation

• 16:00–16:30  Alain DELLA NEGRA & Kaori KINOSHITA Spotting “Tsuma” (short film, 2019)
• 16:30–17:00  Agnès GIARD (Freie Universität Berlin, EMTECH, Germany): “Becoming an Avatar in a Japanese Love Game: Female Identity and Desired Alienation”
• 17:00–17:20  Chat Meeting (20 mn)

Dimanche 28 Juin 2020  

12:00–17:20   Live on the YouTube Channel of musée du quai Branly – Jacques Chirac 

Panel: Kyara-ka and Embodiment

• 12:00–12:30  Shunsuke NOZAWA (Hokkaido University, Japan): “The Seiyūesque: the Layering of Agency and the Labor of Characterization”
• 12:30–13:00 Debra J. OCCHI (Miyazaki International College, Japan): “Kyara-ka Characterizations, Technologies, and Tensions of Embodiment for Local Tokusatsu Action Heroes in Miyazaki’s Himukaizer Media Mix”
• 13:00–13:20 Chat Meeting (20 mn)
• 13:20–14:00 Lunch Break (40 mn)

Panel: VirtualTuber and Visual Transgendering

• 14:00–14:30  Edmond ERNEST DIT ALBAN (McGill University, Canada): “Kyara-ka as a Queering Process? From Queer Animation to Online VTubers Personas”
• 14:30–14:45  Lou RAMBERT PREISS Les Zumains / DOLLER (short film, 2017)
• 14:45–15:15  HOLOGRAPHIC (VTubers, Tōkyō University & Institute of Advanced Media Arts and Sciences, Japan): “The Babiniku Phenomenon in Japan: when Men Metamorphose into Bishōjo Characters”
• 15:15–15:35  Chat Meeting (20 mn) 
• 15:35–16:00  Coffee Break (25 mn)

Panel: Hatsune Miku and Vocaloid Metamorphoses

• 16:00–16:30 Rafal ZABOROWSKI (King’s College London, United Kingdom): “Virtually Authentic: Co-creating Hatsune Miku”
• 16:30–17:00 Cody POULTON (University of Victoria, Canada): “Performative Metamorphoses: Hatsune Miku and 3.5 Dimension Culture”
• 17:00–17:20  Chat Meeting (20 mn)

Organisation

Conference Organized by:

• Elena Giannoulis
• Agnès Giard
• Berthold Frommann

Coordination by: 

• Anna Gianotti-Laban, Coordination manager of scientific events, musée du quai Branly – Jacques Chirac. Email: anna.gianotti-laban@quaibranly.fr 
• Liudmila Bredikhina, EMTECH
• Language: English 

Links: 

https://www.geschkult.fu-berlin.de/emtech

http://www.quaibranly.fr